
The world’s largest interactive video art installation – Under Scan, by Mexican-Canadian artist Rafael Lozano-Hemmer, has been created specifically for the East Midlands and is coming to a location near you over the coming months.
From November 2005 until March 2006 Under Scan will tour the region, stopping off at Lincoln, Leicester, Northampton, Derby and Nottingham. Under Scan is a free event where you participate in a huge interactive shadow play.
In each location Under Scan will be open from dusk every evening so all the family can take part.
Under Scan is a large-scale video art installation for public space. In the piece, passers-by are detected by a computer tracking system that activates video-portraits projected within their shadow on the ground. The piece is intended as a public takeover of their city, linking high technology with strategies of self-representation, connective engagement and urban entitlement.
Over one thousand video portraits were shot in Derby, Leicester, Lincoln, Northampton and Nottingham by a team of local film-makers. Participants were free to represent themselves in the video portraits in whatever way they desired and a wide range of emotions and attitudes were recorded.
http://www.threecitiescreate.org.uk/_EMDA_Cultural_Quarters/
About the artist http://www.fundacion.telefonica.com/at/rlh/
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montreal, Canada.
Electronic artist, develops large-scale interactive installations in public space, usually deploying new technologies and custom-made physical interfaces. His work has been shown in two dozen countries, including Art Basel Unlimited (Switzerland), the Liverpool Biennial (UK), the Itau Cultural (Brazil), the Yamaguchi Center for Arts and Media (Japan), the Istanbul Biennial (Turkey), the Cultural Capital of Europe Festival (Holland), the ARCO art fair (Spain), Bienal de la Habana (Cuba), Architecture and Media Biennale (Austria), Laboratorio Arte Alameda (Mexico), the Musee des Beaux Arts (Canada), European Media Art Festival (Germany) and others. In 1998 he was comissioned to develop a monumental interactive art work in the Zocalo Square in Mexico City for the Millennium Celebrations.
At the Prix Ars Electronica in Austria, his pieces have received a Golden Nica (2000), a distinction (2002) and two honourable mentions (1995 and 1998). He also won a BAFTA British Academy Award for Interactive Art in London (2002), “Best Installation” at the IDMA awards in Toronto (1996), a “Design Review Gold Award” given by I.D. Magazine (2002), a Cyberstar award in Cologne (1996), a distinction at the SFMOMA Webby Awards in San Francisco (2001), “Artist/performer of the year” at Wired Magazine’s Rave Awards (2003), an Excellence Prize at the CG Arts Media Art Festival in Tokyo (2001), WTN award in the Arts Category (2003), a Rockefeller fellowship (2003), a Langlois Grant (2003), the Trophee des Lumieres in Lyon (2003), HorizonZero best interactive installation (2003) and an International Bauhaus Award in Dessau, Germany (2002).
He has given many workshops and conferences, most recently at the MIT MediaLab, the Guggenheim Museum, LA MOCA, Netherlands Architecture Institute, Yamaguchi Center for Arts and Media, UC Berkeley, Berlin Transmediale, British National Museum of Photography, Imagina in Montecarlo and the Art Institute of Chicago.
His writing has been published in Kunstforum (Germany), Leonardo (USA), Performance Research (UK), Telepolis (Germany), Movimiento Actual (Mexico), Archis (Netherlands), Aztlan (USA) and other art and media publications. He has been in several international juries and committees, including the Fondation Daniel Langlois, ISEA, Hexagram, Prix Milia d’Or in Cannes, GMD in Bonn, the International Art and A-life award and Cyberconf in Madrid. He has been a resident artist twice at the Banff Centre for the Arts in Canada.