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"Misuse and Abuse of Interactive Technologies"

Due to many requests the deadline has been extended to Jan. 20th.This workshop is interdisciplinary. Philosophical andcritical investigations into the misuse and abuse ofcomputing artifacts are wanted--including literaryinvestigations. The workshop organizers are alsoworking towards journal and book publications in additionto the workshop proceedings.This workshop is highly interdisciplinary and may be of interest to members of this group. The workshop organizers are alsoworking towards journal and book publications in additionto the workshop proceedings.
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CALL FOR WORKSHOP PAPERS
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"Misuse and Abuse of Interactive Technologies"CHI 2006 Workshop
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Date: Saturday, April 22 (Full day)Venue: Montreal, Canada, http://www.chi2006.org/
Submission Deadline: January 10 Workshop Web-site:
www.agentabuse.org
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So far research into the user's emotional engagement in computing hasaddressed pleasurable affective states such as enjoyment, fun, andplayfulness.

Abuse: The darker side of human-computer interaction atInteract 2005 explicitly addressed negative emotions in computing. Itwas concluded in this workshop that interface design and metaphors caninadvertently rouse more than user dissatisfaction and angry reactions:they can promote a wide range of 'abusive' behaviors that are directednot only towards the machine and the interface but also towards otherpeople (
http://www.agentabuse.org/papers.htm). The purpose of this interdisciplinary workshop is to explore interactivesystems as targets and medium of disinhibited behavior. The goal is tobring together researchers who have encountered instances of negativeuser behaviors in HCI, who might have given some thought to why and howsuch behaviors happen, and who have some ideas on how pro-active, agentbased interfaces, should respond. Workshops discussions should provide afoundation for understanding the misuse and abuse of interactivetechnologies and for developing a systematic approach to designinginterfaces that counter negative behaviors. Some of the larger questions and issues we hope to address during theworkshop are the following: - How does the misuse and abuse of the interface affect the user'scomputing experience? - How do different interface metaphors (embodied conversationalcharacters, windows, desktops) shape a propensity to misuse or abuse the interface? - What design factors trigger or restrain disinhibited behaviors? - How does computer-mediated abuse differ from other forms of abuse,e.g., the abuse of people, symbols, flags sacred objects, and personalproperty? Is it appropriate to use the term abuse in this context? - Putdowns and other forms of verbal abuse are a part of our everydaysocial world. It is something we try to diffuse and avoid. How can wedevelop embodied conversational characters that learn to constrain userswho engage in verbal abuse? Do we even need to diffuse it? - Is the act of verbally abusing a conversational agent anti-socialbehavior or is it the expression of social norms reflecting anasymmetric power distribution where the user is the master and the agentthe slave? As the workshop is intended to be interdisciplinary, we hope thequestions and methodologies discussed will be of interest to a broadaudience, including social scientists, psychologists, computerscientists, and those involved in the game industry. To help inform ourquestioning, we also welcome philosophical and critical investigationsinto the misuse and abuse of computing artifacts. Prospective participants should send a 2/4-page position paper(following the CHI extended Abstract format www.chi2006.org/ceaf.php)
Further information on the workshop can be found at www.agentabuse.org.

IMPORTANT DATES===============
20 January 2006: submission
24 January 2006: Notification of acceptance
1 February 2006: CHI 2006 early registration deadline
22 April 2006: workshop at CHI 2006

ORGANISING COMMITTEE===================
Co-Chairs: Antonella De Angeli (University of Manchester), UK Sheryl Brahnam (Missouri State University), US Peter Wallis (University of Sheffield), UK Alan Dix (Lancaster University), UKProgramme committee:Ruth Aylett (Heriot Watt University, UK) Pamela Briggs (Nortumbria University, UK) Christoph Bartneck (Eindhoven University of Technology, Holland) Nadia Bianchi-Berthouze (University of Aizu, JP) Claude Draude (Humboldt University Berlin, DE) Dirk Heylen (University of Twente, NL) Stefan Kopp (University of Bielefeld, DE) Stacey Marsella (University of Southern California, USA) Roger Moore (Universiy of Sheffield, UK) Catherine Pelachaud (Universite de Paris 8, FR) Daniela Petrelli (University of Sheffield, UK) Oliviero Stock (IRST, IT) Alistair Sutcliffe (University of Manchester, UK) Yorick Wilks (University of Sheffield, UK) Sean Zdenek (Texas Tech University, USA)

The Manifesta 6 School

Manifesta 6 School
European Biennial of Contemporary Art
Corner of Pentadaktilou and Tempon Streets
P.O. Box 21015, Nicosia 1500, Cyprus
info@manifesta6.org.cy

The Manifesta 6 School is now accepting applications from cultural producers across the whole spectrum including visual artists, architects, writers, filmmakers, journalists, curators, composers, performers and others who are interested in participating full-time in the School programme. Invited participants will be expected to reside in Nicosia for the duration of the semester. English is the language of communication in all departments.

The application form is available as to download as a PDF here.

Storytelling, Self, Society

Storytelling, Self, Society: An Interdisciplinary Journal of Storytelling Studies
Call for Submissions
Storytelling, Self, Society is a bi-annual,interdisciplinary, peer-reviewed journal thatpublishes scholarship on a wide variety of topicsrelated to storytelling as interpersonal, performance,or public discourse. Papers may represent disciplinesincluding but not limited to storytelling, folklore,cultural studies, communication, English, education,library science, health care, business, peace studies,psychology, sociology, anthropology, pop culture,theater and performance studies.In addition, a variety of items will be considered forreview, including print publications, recordings andperformances. Please indicate in your response if youare interested in reviewing a recently experiencedstorytelling performance. Contact Janice M. Del Negro,review editor, at jdelnegro@dom.edu to indicateinterest and for additional information.For more information on the journal, we invite submitters to visit our web site: http://www.fau.edu/storytelling/journal .

Virtual Art Database

The Database of Virtual Art documents the rapidly evolving field of digital installation art. This complex, research-oriented overview of immersive, interactive, telematic and genetic art has been developed in cooperation with established media artists, researchers and institutions. The web-based, cost-free instrument - appropriate to the needs of process art - allows individuals to post material themselves. Compiling video documentation, technical data, interfaces, displays, and literature offers a unique answer to the needs of the field. All works can be linked with exhibiting institutions, events and bibliographical references. Over time the richly interlinked data will also serve as a predesessor for the crucial systematic preservation of this art.

http://www.virtualart.at

interfilm Berlin supports the following Call for Entries

interfilm Berlin supports the following Call for Entries
***achtung berlin - new berlin film award, 11 - 17 May 2006
*****Submission Deadline: March 15, 2006

*****CALL FOR ENTRIES

International Competition for films about Berlin-Brandenburg***
We kindly ask all recipients to forward this message to interested individuals, groups and institutions. The following informations are published in English and German.
***achtung berlin - new berlin film award will take place for the second time at the Hackesche Hoefe Film Theatre in Berlin / Germany from 11 - 17 May, 2006.Within the framework of this new festival, achtung berlin is inviting submissions for the 2nd International Competition for films about Berlin and/or Brandenburg which is endowed with cash prizes as well as various post production prizes.Eligible are feature films and documentaries from Berlin-Brandenburg, Germany and all over the world featuring a clear thematic relation to the city of Berlin or the region of Brandenburg. All films submitted should be produced after January 1, 2002.The following screening formats are permitted: 35mm, Digi-Beta, Beta SP/PAL and (mini) DV. Films on DVD, CD-Rom, Beta SP/NTSC or U-Matic video formats cannot be screened.The submission deadline is March 15, 2006.Berlin is today, more than ever, a starting-point for filmmakers from Germany, Western and Eastern Europe, as well as for overseas directors. achtung berlin presents filmmakers from around the world who involve themselves thematically with the capital region, portraying their own depictions and perspectives of the city of Berlin or the Brandenburg region, and the resulting multifarious aesthetic images.Information and entry form at <http://www.achtungberlin.de/> new berlin film award is a project initiated by achtung berlin e.V., in cooperation with the Hackesche Hoefe Filmtheater. Our call for entries is supported by interfilm Berlin.achtung berlin - new berlin film award is funded by the Medienboard Berlin-Brandenburg GmbH and enjoys the kind assistance of the Hauptstadtkulturfonds and the DEFA-Stiftung.Contact:achtung berlin - new berlin film award Chausseestr. 50D-10115 Berlinprogram@achtungberlin.de www.achtungberlin.de

CALL FOR ENTRIES DARKLIGHT 2006

CALL FOR ENTRIES DARKLIGHT 2006
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WE WANT YOUR FILMS!

DARKLIGHT ARE NOW ACCEPTING ENTRIES FOR FESTIVAL 2006
Go to http://www.darklight.ie for full criteria, terms and conditions and application form.
----------DEADLINE FOR SUBMISSIONS MONDAY 20th MARCH 2006----------
DARKLIGHT FESTIVAL is Ireland's premier festival for filmmakers, animators and artists whose work explores the convergence of art, film and technology. Digital filmmaking techniques have become increasingly universal, they have revolutionised contemporary filmmaking practice and contributed hugely to the liberation of animation. In response to this the Darklight programme has become focused on work that challenges; concepts, visual aesthetic, narrative, access, methods of production and dialogue through these contemporary filmmaking techniques.Darklight exhibits work that pushes these boundaries and displays creative excellence. Our mission is to nurture new talent and to create new possibilities for the imagination.
----------SELECTION CRITERIA----------
Eligible for entry are feature films, documentaries, all CG animation (Flash, 3D etc.), experimental works, music videos, commercial work, motion graphics, game sequences, live action shorts, student work, films shot on camera phones and films from outreach and community projects. There are no restrictions on genre, length or number of submitted works.For full criteria go to http://www.darklight.ie/
----------OTHER PROGRAMMES----------
STRAYLIGHT is a visual art exhibition whose curatorial vision promotes work that connects with us on levels that represent technology's wide influence on our culture.DARKLIGHT SYMPOSIUM series is a forum for filmmakers and artists, informing and initiating debate on all aspects of contemporary art and filmmaking, from practice and technology to copyright, distribution and education.

DARKLIGHT FESTIVAL 2006 IS RETURNING TO AN EARLY SUMMER DATE
Check the website for date and venues*Please forward or post the following information to interested parties, news groups, Blogs or websites
*If you have any questions please contact us by email at: 'queries at darklight-filmfestival.com'

VIDEOex

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C A L L F O R E N T R I E S ( please forward)
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VIDEOEX invites you to submit your work for theinternational & swiss competition (entry deadline 3 February 2006).
VIDEOEX International Experimentalfilm & Video Festival 18- 28 MAY 2006 Zurich Switzerland
We are looking for :experimental films 8mm / 16mm / 35mm (screened in original format), videos, (experimental, videoart, ...) innovative animation, experimental digital & graphic productions(to be screened), experimental documentaries, expertimental music videosentry deadline 3 February 2006
For Details download entry form & rules http://www.videoex.ch
(PDF Files to open with acrobat reader) or send a e-mail to competition@videoex.chno entry fee Send tapes & entry form & brief description to:VIDEOEX Kanonengasse 208026 zurich switzerland
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VIDEOEX18 - 28 Mai 2006 Experimentalfilm & Video Festival Zurich Switzerland Kanonengasse 208004 zurich switzerlandtel 0041-43-3220813 fax 0041-43-3220815 e-mail: info@videoex http://www.videoex.ch

Trampoline March 2006

Trampoline March 2006 http://www.trampoline.org.uk
Call for Submissions - Deadline: February 17th
Nottingham¹s platform for new media art begins its Spring 2006 Programme this March - we are sending out our radar across the globe in the search forchallenging new work.This is an opportunity to plug into the innovations of Nottingham/regionalbased artists and at the same time connect with international media artdevelopments.Trampoline is always looking to expand and find innovative ways ofconnecting spaces in the global age, overcoming geographical distances viadigital technologies. Trampoline is extending its antennae to both transmitand receive in its event of regional and international creative exchange. Questioning geographic borders and communication barriers in the age ofglobal connectivity, we will be asking, what is their state of existence andwhat is their relevance today? New barriers are continuously broken yet newdivisions are formed. In today¹s global network, all the world is invited,but some are still excluded.Trampoline is searching for work which contributes to these debates,challenges our notions of these boundaries and creatively comments on ourentangled yet fragmentary network.>From video, animation, installation, sculpture, performance, live music andweb streaming Trampoline encourages all forms of new media expressions.Trampoline is calling for submissions for this event

The deadline is February 17th - but the sooner you express interest thebetterPlease go to www.trampoline.org.uk/submissions.htm and download asubmission form and send with supporting material toTrampoline Submissions Broadway Cinema14-18 Broad StreetNottinghamNG1 3ALUKPlease contact Emma Lewis, Trampoline CoordinatorOn +44 (0)115 9559956 emma@trampoline.org.uk