weblogart@yahoo.com


 

setpixel

Setpixel is a collection of articles written by a small group of like-minded individuals. The general focus of the articles contained in the site are on interactive installations, aesthetics through computation, reactive experiments, creative computer vision, et cetera. The direction of the collection of writings will be affected by the independent opinions and directions of the selected artists. These authors were carefully selected because of their works, thoughts, and outlook on the topics above. If you would like to contribute and feel like you have something to contribute to the viewers, please email us.


Current Authors:
Charles Forman, Media Artist. New York, USA.
Chris O'Shea, Digital Artist. Plymouth, UK.
Chris Sugrue, Artist, Designer, Programmer. New York, USA.
Christian Giordano, Interactive Designer/Developer. Milan, Italy / London, UK.
Cristobal Mendoza, Media Artist. Philadelphia, US.
Glen Murphy, Programmer Designer Artist. Melbourne, Australia.
Josh Nimoy, Undefined. Brooklyn, US.
Ubi De Feo, Creative Developer. Amsterdam, Nederlands.

http://www.setpixel.com/

VisualComplexity.com

VisualComplexity.com intends to be a unified resource space for anyone interested in the visualization of complex networks. The project's main goal is to leverage a critical understanding of different visualization methods, across a series of disciplines, as diverse as Biology, Social Networks or the World Wide Web. I truly hope this space can inspire, motivate and enlighten any person doing research on this field.
Not all projects shown here are genuine complex networks, in the sense that they aren’t necessarily at the edge of chaos, or show an irregular and systematic degree of connectivity. However, the projects that apparently skip this class were chosen for two important reasons. They either provide advancement in terms of visual depiction techniques/methods or show conceptual uniqueness and originality in the choice of a subject. Nevertheless, all projects have one trait in common: the whole is always more than the sum of its parts.
How it started The idea for this endeavor started on my second year MFA program at Parsons School of Design. During this period I conducted extensive research on the visualization of complex networks, which culminated with my thesis project Blogviz: Mapping the dynamics of information diffusion in Blogspace. One thing I found while exploring this area was the lack of an integrated and extensive resource on this subject. This is the main reason why this project came to life.
Later on, as a teaching assistant of Information Architecture at Parsons Design+Technology program, together with Christopher Kirwan, I was able to consolidate most of this research as part of an independent study. The key chunk of projects shown here was gathered during this phase. My ultimate goal is to keep adding new projects to a still undetermined limit.
Complex Networks Complexity is a challenge by itself. Complex Networks are everywhere. It is a structural and organizational principle that reaches almost every field we can think of, from genes to power systems, from food webs to market shares. Paraphrasing Albert Barabasi, one of the leading researchers in this area, “the mistery of life begins with the intricate web of interactions, integrating the millions of molecules within each organism”.

Manuel Lima was born in the Azores, Portugal, in May 1978. In 2002 he completed a 6 year degree in Industrial Design at the Faculty of Architecture - UTL Lisbon and finished a 7 month internship at the design firm Kontrapunkt, in Copenhagen, Denmark. Currently living in New York, Manuel is a recent MFA graduate from the Design+Technology program at Parsons School of Design. For this purpose he received scholarships from Calouste Gulbenkian Foundation, the Luso-American Foundation and a Dean's scholarship from Parsons School of Design. During the course of the MFA program Manuel was part of a Collaboration Studio with Siemens Corporate Research Center, worked for the American Museum of Moving Image and Parsons Institute for Information Mapping in research projects for the National Geo-Spatial Intelligence Agency. Manuel is currently working as an interaction designer at R/GA Interactive.
http://www.visualcomplexity.com/vc/

web3dart

web3dart is presenting a selection of the best 3D works of 2006.This selection of WEB3DART 2006 is made from a competitive submissionprocess. Each of the works is considered for its operational functionality,the content within the 3D visualization, and its innovation towards the useof 3D in creative works of artists and designers.The Seventh international exhibition of WEB3DART, features a selection ofartistic, commercial and student projects.

http://www.web3dart.org/ctxt5.php?lid=1&sid=1819

Plugged Video Collective

CALL FOR SUBMISSIONS
Her Shorts: 1st Annual Women’s International Video Festival and Symposium
Deadline: March 1, 2006

Plugged Video Collective is now accepting single-channel video submissions for Her Shorts; a festival and symposium dedicated to showcasing new video art conceived and directed by emerging and established women artists from the USA and abroad. All topics, subjects considered and all genres accepted: Narrative, Experimental, Documentary and Animation. Videos should be 10 minutes or less. Work must have been completed after 2003. All submissions from the call will become part of a permanent video library, maintained by Plugged Video Collective and housed at Dinnerware Contemporary Art Gallery. Exhibition Date: May 2006 Location: Dinnerware Contemporary Art Gallery, Tucson, AZ, USA

Contact:
Plugged Video Collective
www.pluggedvideocollective.org

Engineering Nature


Engineering Nature
Art and Consciousness in the Post-Biological Era
Edited by Roy Ascott

***** OPEN RESEARCH MEETING


***** OPEN RESEARCH MEETING
Researching the Future: art and design in transmodal transition 2006
Milano, NABA february 8-9, 2006

Researching the future: art & design in transmodal transition
Now more than ever artists work through cultural interfaces, the ways and means, turning to evocations of both science and mythology, technology and tradition.
The legacy of postmodernism has transformed itself in this "transmodal" transition. Today man is molded by images, hyperlinks, processors and networks. Our senses are redefined, or rather, re-oriented from a collision with emerging realities, generated by new models of our world and of our subjectivity.
New art is linked to means that introduce it to a new praxis of production that is instantly pragmatic and philosophical. It (What? Art or the praxis?) generates interactivity and the transformation of common sense, both socially and aesthetically, while reflecting on the changing nature of perception, of connectivity and of conscience.
Works produced, both concretely and mentally, are made of a stratum of conscious associations, of unconscious sensitivity, of historic scientific data, of multiform unity and gripping discourse, fully interwoven in new telematic environments. These environments can be digital or natural and biological, furnishing us with new experiences and original creative visions.

E' un convegno che presenta le intuizioni, le proposte ed i progetti provenienti dagli artisti e dai ricercatori del programma di Ph.D M-Node in collaborazione con la Scuola di Media Design della Nuova Accademia di Belle Arti di Milano.
Sempre più gli artisti lavorano attraverso interfacce culturali, mezzi e generi, ricorrendo all'evocazione sia della scienza che della mitologia, sia della tecnologia che della tradizione.
L'eredità del postmodernismo si è trasformata nel transito 'transmodale'; l'uomo oggi è modulato dalle immagini, dagli hyperlink, dai processori e dalle reti, e il nostro sensorio è ridefinito, o meglio ribilanciato dalla collisione con le realtà emergenti che i nuovi modelli del mondo e della nostra soggettività stanno generando.
La nuova arte è legata ai mezzi che la permettono, la realizzano, la veicolano; è una nuova prassi del fare immediatamente pragmatica e filosofica; genera l'interattività e la trasformazione del senso comune sia socialmente sia nelle dimensioni dell'estetico, mentre si riflette sulla natura mutante della percezione, della connettività e della coscienza.
Le opere prodotte, sia concrete sia di pensiero, sono fatte di uno strato di coscienti associazioni di significati, di inconsce sensibilità, di scientifici dati storici, di multiformi unità e discorsi afferenti pienamente intessuti nei nuovi ambienti telematici, digitali o naturali e biologici, fornendoci delle nuove esperienze e delle visioni creative originali.

Plenary Speakers
Roy Ascott, Franco Bolelli, Derrick De Kerckhove, Paolo Atzori, Antonio Caronia, Francesco Monico, Amos Bianchi, Mimmo Lombezzi, Mario Canali, Martino Giudici, Massimo Banzi, Paolo Rosa, Steve Piccolo, Domenico Quaranta, Dimitri Kozaris, Luca Molinari ..
Topics-Themes
Media Art, Phenomenology, Cognitive architectures and consciousness, Transmodalities, Psycotechnologies, Virtual Reality, Enhanced Reality, Freud and Dream Science, Radical Thought

Submissions on all topics related to consciousness are welcome.
Abstracts submitted by February 5, 2006 will be considered for talks or posters.

Researching the Future: art and design in transmodal transition 2006 Milano, NABA february 8-9, 2006

Topics-Themes:
Media Art, Phenomenology, Cognitive architectures and consciousness, Transmodalities, Psycotechnologies, Virtual Reality, Enhanced Reality, Freud and Dream Science, Radical Thought

Program Plenary Speakers:

14.30 Roy Ascott - Planetary Collegium's Presentation ;
14.55 Wolfgang Fiel - The schizophrenia of the space in-between ;
15.20 Paolo Atzori - Mediterranean Maps ;
pause
16.00 Dimitri Kozaris - From foundfootage to compilation movies;
16.25 Simona Caraceni - Virtual Musems: The Language of a New Medium ;
16.50 Paolo Pedercini -
Simulazioni radicali per un nuovo pensiero ecologico ;
pause
17.30 Adrian Guzman
17.55 Steve Piccolo - The Museum of Sounds (and all that others stuff);
18.20 Franco Marineo - Invisible visual effect;
pause
19.00 Derrick de Kerckhove - Institutions and Social Software as Cognitive Architectures ;
19.25 Federica Timeto -
A tool is a myth is a tool ;
19.50 Tatiana Bazzichelli - Women Digital Communities in Europe.

09/02/2006 - thursday

14.30 Antonio Caronia - The Cyborg's vote: are Digital Elections true Democracy?
14.55 Ale Guzzetti
- Tecnica curiosa: prospettive transmodali dell'arte elettronica;
15.20 Giacomo Verde - Hacker Teatro: esperienze di tecno-teatro low tech;
pause
16.00 Pier Luigi Capucci - Communications and the senses in the information society ;
16.25 Andrew Quinn - Toward immersive environments;
16.50 Franco Bolelli - Mondo globale, esseri umani globali;
pause
17.30 Mario Canali - Nuovi paradigmi artistici: istallazioni interattive tra arte, tecnica e scienza;
17.55 Roy Ascott - Being Syncretic: connectedness, coherence and consciousness;
18.20 Domenico Quaranta - Come i videogame stanno trasformando l'arte contemporanea ;
pause
19.00 Amos Bianchi - Intersezioni transmodali tra testo e immagine;
19.25 Donatella della Ratta - West by Arab Media;
19.50 Paolo Rosa - Nuovi paradigmi tra estetica e etica (titolo provvisorio).

Submissions on all topics related to consciousness are welcome. Abstracts submitted by February 5, 2006 will be considered for talks or posters.

NABA, Via Darwin, 20 20143 Milano, Ed 20 AMARANTO di Carlo Mo -
Aula SPAZIO ELASTICO
8/02/2006 9/02/2006
From 14.30

NABA, Via Darwin, 20 20143 Milano, Ed 20 AMARANTO di Carlo Mo - Aula
SPAZIO ELASTICO dalle ore 16.30

serpicanaro

scalda il tuo corpoattiva la tua menteesprimi la tua gioia!!!

ciao! sei pronta?
parte il serpica naro touuuuuuuuuuuuuur
stage preparatorio x abbattere il sistema moda-spettacolare

seconda tappa venerdi' 20 zerozero6 pergola_mindcafé (milanovia angelodellapergola5) dalle 22 ti aspettiamo con il tuo corpo
i tuoi desideri
la tua voglia...di piacevole&gioiosa sovversione

Serpica Naro non esiste.
Serpica Naro è un meta-brand.S
erpica Naro e' una versione generosa del trademark, tutti coloro che visi riconoscono possono parteciparvi. Serpica Naro è un luogo dove si incontrano immaginari e autoproduzione, creatività, stile e radicalità. Serpica Naro decreta la fine dei simboli ed afferma una metodologia,un immaginario, un pertugio attraverso il quale esprimereproduzione sociale e conflittualità. Serpica Naro è produzione autonoma di senso, un metododi condivisione, apertura pubblica dei "codici", liberazionee messa in rete di competenze e intelligenze. Serpica Naro come meta-marchio delle autoproduzioni è la risposta conla quale dichiariamo chiusa la settimana della moda eaperta la stagione della cospirazione precaria.

Link:
Cartella Stampa
http://www.serpicanaro.com/press/operazioness_web.zip
* La beffa dei non global, Repubblica on line 26.02.05
http://www.repubblica.it
* Abbiamo creato Serpica Naro in 7 giorni, repubblica.it 26.02.05
http://www.repubblica.it
* Puntini sulle i
http://italy.indymedia.org/news/2005/02/739415.php
* la beffa di san precario (corriere)
http://italy.indymedia.org/news/2005/02/739258.php
* Il precaro e' di moda (Liberazione)
http://www.liberazione.it/giornale/050227/LB12D6C1.asp
* Serpica Naro, la beffa la moda, Manifesto 27.02.05
http://italy.indymedia.org/news/2005/02/739374.php
* Serpica Naro a Studio Aperto
http://italy.indymedia.org/news/2005/02/739696.php

{transcription} by Michael Takeo Magruder

Turbulence Artists’ Studios: {transcription} by Michael Takeo Magruder
http://www.turbulence.org/studios/takeo/index.htm
{transcription} is a network-driven, heavily layered mesh of texts, sounds and moving images captured live from the British Broadcasting Corporation’s internet news service. The random intersection of multiple data streams is algorithmically recombined into a structured array that is simultaneously garbled and readable. For instance, the apparent Asian characters--a rare autobiographical allusion for the artist--are illegible, thus assuming a symbolic quality for all viewers alike. The ephemeral images, submerged beneath a static two-dimensional grid, both embody a machine-code aesthetic and an intermittent depth that lends to their reality.

{transcription} is also a real-time media installation specifically created for and currently installed in the Courtauld Institute of Art’s back six-level staircase. It consists of dynamic audio/visual structures intermixed with static wall-drawn elements. The net-driven data is back-projected onto a horizontally suspended screen situated in the lowest well of the staircase. Monochrome, geometric patterns are painted directly onto the ceilings above the staircase landings, visual abstractions of the equations generating the network data stream--scribed in a data-language that, like the fundamental components of the media itself, is opaque to human perception.

BIOGRAPHY
Michael Takeo Magruder is an American artist based in the UK who received his formal education at the University of Virginia, USA, graduating with a degree in biological science. His artistic production has been exhibited worldwide and encompasses an eclectic mix of forms ranging from futuristic stained-glass windows, digital light-screens and modular sculptures, to architectural manipulations, ephemeral video projections and interactive net-installations. His work seeks to reflect upon the dualistic nature of media as both information source and cultural stimulant.
{transcription} is supported by:Courtauld Institute of ArtTurbulence.orgArts Council EnglandKing’s Visualisation Lab, Centre for Computing in the Humanities, King’s College London

Calls for participation

Calls for participation

Michael Chekhov Technique - International Intensive Workshop
March 20-24, 2006, Riga (Malpils), Latvia
The workshop program is specially designed for professional stage artists, inspired by Michael Chekhov's Acting Technique.

20th International Competition for Choreographers, Hannover, Apr 15-16 2006: call for applications (deadline: 15 Feb)
The International Competition for Choreographers Hanover will celebrate its 20th edition. Young professionally educated choreographers are invited to compete.

Red Beats Festival, Slovenia, Jun 06: call for applications (deadline: 20 Feb)
An invitation is extended to individual artists and groups from around the world. The organizers of this festival are particularly looking for new imaginative work to be performed either indoors or outdoors.

International Theatre Festival for Children & Youth, St Petersburg, May 06: call for theatre companies (deadline: 1 Feb)
Theatre companies are invited to submit proposals for the 7th edition of the annual Rainbow Festival for children and youth which will focus on the theme: "Contemporary play for teenagers and young people in drama theatre".

I'mPULSE 3rd Asia-Europe Music Camp, Beijing, May 06 - call for DJs (deadline: 15 Feb)
The 3rd Asia-Europe Music Camp, I'mPULSE, digital music technology is envisioned to bring together 25 emerging DJs from Europe and Asia to engage in a dialogue through comprehensive digital music technology experimentation. Applications are invited.

HIGH FEST International Theatre Festival 2006, Armenia: call for participation (deadline: 15 Feb)
4-14 October 2006 / Yerevan.Applications invited from performing arts companies and artists wishing to present their productions in Yerevan.

Teatarfest International theatre festival, Sarajevo, May 2006: call for participation (deadline: 15 Jan)
An international meeting point of innovative theatre groups. This year the theme will be non-verbal comedy. Applications invited.

from http://www.on-the-move.org/

- cos'è mail art virtuale?

- cos'è mail art virtuale?
un questionario:

1. mi presenti le tue amiche? invia foto e curriculum a ilsangue@hotmail.com
2. cos'è Dio? invia immagini e descrizioni a ilsangue@hotmail.com
3. saresti in grado di usare la libertà? dimostralo a ilsangue@hotmail.com
4. sei di temperamento esibizionista? fatti notare su ilsangue@hotmail.com
5. vuoi sorprendermi? provaci inviando la sorpresa a ilsangue@hotmail.com
6. cos'è mail art virtuale? dillo a ilsangue@hotmail.com

The New Media Gets Organized -- Can it Challenge the Traditional Media?

The New Media Gets Organized -- Can it Challenge the Traditional Media?

news yahoo

Ruby on Rails

Ruby on Rails was created by David Heinemeier Hansson, a partner at 37signals,then extended and improved by a core team of committers and hundreds of open-source contributors.

Rails is a full-stack framework for developing database-backed web applications according to the Model-View-Control pattern.

http://www.rubyonrails.org

knitPro

knitPro is a web application that translates digital images into knit, crochet, needlepoint and cross-stitch patterns. Just upload jpeg, gif or png images of whatever you wish -- portraits, landscapes, logos... and it will generate the image pattern on a graph sizable for any fiber project.

http://www.microrevolt.org/knitPro.htm

Do you like to put stuff on your cat?

"Do you like to put stuff on your cat? So do we, show us some love and head over to our submissions page to find out how to send us a picture. If your submission meets our "rigorous" standards in the fields of quality and awesomeness we will put it up for all to see. Any other questions or comments feel free to email me, take care and thanks for visiting!" - Mario

http://www.stuffonmycat.com/

Putfile

Putfile is a network of Linux powered dedicated servers providing free image and video hosting. Learn more about our dedicated hosting, and then host your own files. No downtime!

This week top 50 videos
http://www.putfile.com/weekvideos

Lee Walton

Lee Walton is an Experientialist whose projects and performances are full of humor, detailed planning, and interaction with the outside world.
Serendipitous combinations of rule and chance, Walton’s projects are always playful, precisely calibrated, conceptually on-target and deeply attentive to the everyday patterns and rhythms of contemporary city life.
After a two-year affiliation with the Headlands Center for the Arts in Marin, Walton has received many accolades, from the Video Selections at the 8th Havana Biennale, to multiple residencies and fellowships as well as an induction into the collection of the Metropolitan Museum of Art, NY.
Walton has exhibited at numerous venues both nationally and internationally, most recently at the Museum of Contemporary Art Berlin and Clubs Project Inc., Australia. He has been invited to lecture and lead projects at various institutions, including the Reykjavik Museum in Iceland and the Psy-Geo-Conflux in New York.
Lee Walton holds a M.F.A in visual arts from the California College of Arts, SF and currently lives in both Brooklyn and San Francisco.

On November 3rd, Lee Walton and Shaquille O'Neal will begin an 82 game free throw competition.
http://www.leewalton.com/index_freethrow.html

The Year in the internet 2005

"We asked some people what their top ten links of the year were for 2005. This is what they said."- Michael Bell-Smith & Cory Arcangel

David Moore and Nicholas Reville of The Participatory Culture Foundation
WFMU station manager Ken Freedman
Writer / Comic Chelsea Peretti
Fake is the New Real
Interenet User Travis Hallenbeck
Artist/Musician/Blogger Tom Moody
Editor/Writer/Former Videogame Designer Simon Carless
Artist/Curator Marisa Olson
Internet User Guthrie Lonergan
Computer Programmer Cory Arcangel and Curator Hanne Mugaas
Artist Michael Bell-Smith
Internet User Brett O'Connor


http://www.burncopy.com/bestoftheweb.html
http://www.digitalmediatree.com/tommoody/?34713

satellite jockey

"satellite jockey is me, 28 year old brazilian rick silva. i use the software google earth like a dj or vj would use turntables or a video mixer. i capture satellite video of pixilated landscapes and glitchy fly-overs and use them as source material for live audio/visual performances and installations.my various artworks and projects have shown at media festivals and museums in 5 continents including transmediale (berlin), dotmov (sapporo), videobrazil (sao paulo), d>art 04 (sydney) and senet (seoul). my work has been written about in the new york times, the guardian uk, el pais, and most recently featured on the cbs evening news."

http://satellitejockey.net/video.htm

think locally act globally

from http://www.rhizome.com/

Robert Ladislas Derr


Robert Ladislas Derr has exhibited his artwork at museums, galleries, and festivals throughout the United States and abroad. Derr’s artwork has been reviewed by such publications as The New York Times, trAce Online Writing Centre, and Block Magazine. He has lectured about his artwork at such institutions as the Victoria Independent Film & Video Festival, Pre/amble: Festival of Art and Psychogeography, and Society for Photographic Education. Derr has been a recipient of a number of grants, fellowships, and awards including an Individual Artist Fellowship from the Ohio Arts Council and stipend from the Lower Manhattan Cultural Council (New York, NY). Combining photography and new media, his installations are derived through public and intersubjective performances. It can be said that he often times puts himself literally in the center of a barrage of questions about life and making art. Derr received his MFA from the Rhode Island School of Design and BFA from the Art Academy of Cincinnati. He is an assistant professor and coordinator of the photography area in the Department of Art at The Ohio State University.

"On Thursday, November 10, 2005, beginning at 7:00 pm, I embarked on one of my psychogeographical walk performances. Entitled Chance, the piece showed at OPENSOURCE (an alternative art space within Champaign-Urbana, Illinois), as part of their exhibition program: Mind in Matter: Constructions of the Built Environment.
For this performance gallery viewers determined the direction of my walk based upon the roll of a dice. Waiting outside the gallery, I received my first command to 'spin' via a two-way radio. The dice indicated that I move forward, backwards, right, left, spin, or stand in place. When 'spin' or 'stand in place' were the command, I completed each for one minute. The directional commands took me to the next intersection, where I awaited another command. The walk continued for thirty minutes." more http://trace.ntu.ac.uk/Process/index.cfm?article=137

Links
Robert Ladislas Derr:http://www.portfolios.com/rlderr
OPENSOURCE:http://opensource.boxwith.com
Henri Cartier-Bresson:http://www.henricartierbresson.org
trAce links
VOID: walking with Ulysses:http://trace.ntu.ac.uk/Review/index.cfm?article=132
Data and Narrative: Location Aware Fiction:http://trace.ntu.ac.uk/Opinion/index.cfm?article=83

Pacific Rim New Media Conference

Pacific Rim New Media Conference http://isea2006.sjsu.edu/prnmsThe political and economic space of the Pacific Rim represents a dynamic context for innovation and creativity. Experimentation in art, science, architecture, engineering, design, literature, theater and music is emerging new forms of cultural production and experience unique to the region. The complex relations and diversity of Pacific Rim nations is exemplified throughout the hybridized communities that comprise Silicon Valley. As the 10th largest city in the United States, San Jose is an important portal on the Eastern edge of the Pacific region, which shares deep historical and cultural connections that range from Latin America, the South Pacific, Southeast Asia to Asia. ZeroOne San Jose: An International Festival of Art on the Edge highlights the Pacific Rim as a central theme by presenting the most significant achievements in art, theory and research from throughout the region. The CADRE Laboratory for New Media at San Jose State University will host a two-day pre-symposium entitled the Pacific Rim New Media Summit co-sponsored by Leonardo. The Summit is intended to explore and build interpretive bridges between institutional, corporate, social and cultural enterprises with an emphasis on the emergence of new media arts programs in 7 areas: Creative Community, Curatorial, Education, Directory, Eco-Social Activism, Mobile Computing and Urbanity, and Latin American – Pacific / Asia New Media.Transvergent Evening is the official reception for the Pacific Rim New Media Summit. It is the first event of the Festival open to the public and includes a keynote presentation by a world-renowned scholar, a reception at the new City of San Jose/SJSU Martin Luther King Library, and a commissioned avant-garde music concert at a local night club. A special feature of the Pacific Rim theme is the Container Culture exhibition that will be featured on Cesar Chavez Plaza that will present new media artist projects from Pacific Rim port cities.
Pacific Rim New Media Summit Working Groups:


Creative Communities Forum Co Chairs: Kim Walesh, Assistant Director of Economic Development for the City of San Jose - USADavid Nieh, Shanghai --The City of San Jose will invite delegations from Singapore, Tokyo, Taipei, Shanghai, Seoul and Mumbai to discuss and share strategies, initiatives, and lessons learned with peer counterparts in Pacific-Asian cities, develop new relationships and identify opportunities for ongoing, cross-community collaboration involving cultural and economic development.
Mobile Computing and Urbanity Chair: Roh Soh Yeong, Director, Arts Centre Nabi-South Korea - South Korea --Research and development of da mobile computing/communications media project as a response to an ambitious urban project in Seoul Korea – the reclamation of the Chongkye Chun river that has been buried under concrete since the development era of the early 1970's. This working group will collaborate together with a lead artist who will be in residency at the NABI Art Centre.
Curatorial Chair: Steve Dietz,Independent Curator, Director ISEA2006 Symposium/ZeroOne Festival - USA --Exploration of new models and opportunities for enabling collaborative and distributed exhibitions. Focus on the Container Cultural, a site installation of shipping containers transformed into artworks. Each container is curated by a internationally renown curator from 5-7 port cities in the Pacific-Asia region.
Latin American-Pacific/Asia New Media Initiative Chair: Jose-Carlos Mariategui, Director ATA - Peru --Development of relations, strategies and processes among artists/artist teams, organizations and creative professionals in both Asia and Latin America. Focus is on consideration of ‘emergent markets’.
Directory Chair: Irina Aristarkhova, Director Cyberarts Research Initiative - Singapore --Design and implementation of a meta-directory database of Pacific Rim new media artist and related institutions, cultural organizations, research institutes and governmental agencies. A resource to be make available on the Web.
Ground and Practice Chair: Danny Butt, Independent researcher in new media, arts and education fields--To address the cultural diversity of new media networks, identifyingalternative futures of networked media proposed by indigenous cultural andartistic practices, and related self-determination initiatives
Education Chair: Fatima Lasay, Assistant Professor University of Philippines College of Fine Arts-Philippines --Identification and adressment of Pacific Rim new media academic systems with specific examination of regional political economies of education and development and their impact on local communities.
Pacific Rim Residency Chair: Julianne Pierce, Executive Director of The Australian Network for Art and Technology-Australia --Development of cross cultural and regional programming to enable artist residency projects between academic institutions, research centers, corporations. Examination of cross programming between organizations and symposia.

http://isea2006.sjsu.edu/prnms

Roberto Latini

Roberto Latini al TEATRO DI CECINA IL 28 GENNAIO ORE 21.
Organizzazione: Armunia Festival

Un ambiente visuale interattivo per un sistema di multiproiezione a tre schermi utilizzato come "environment" scenico e animato con sistemi di motion capture"...Dal testo di Jarry, Latini ricava abilmente un adattamento con spunti di attualità (niente di più naturale in tempi dove si fanno case e regni abusivi delle “libertà”), una sintesi che soprattutto negli ultimi atti diventa drastica riduzione, selezionando le situazioni e i personaggi più emblematici, alcuni dei quali rappresentati mediante immagini di computer grafica bidimensionali o tridimensionali e animate con l’armatura motion capture. Gli ambienti digitali interattivi (collegati ai movimenti dell’attore attraverso il motion capture) sono stati realizzati da Andrea Brogi e il video in croma key (con i diversi travestimenti-svestimenti di Ubu) da Pierpaolo Magnani, entrambi del gruppo Xlab che in quest’occasione ha integrato la propria ricerca tecnologica con la ricerca teatrale di Latini, una simbiosi riuscita perché qui l’uso della tecnologia non ha né una finalità puramente spettacolare né riproduce precedenti esperienze italiane (come quelle di Krypton, Studio Azzurro, Castello, Verde) o straniere (La Fura e Marcelì Antunez soprattutto), ma fa evolvere nel contemporaneo l’idea originaria dell’Ubu di Jarry, che doveva essere uno spettacolo di burattini per adulti e riprende l’astrazione recitativa della marionetta invocata da Kleist e da Craig. Qui la Super-Marionetta Latini, dotato di una modulazione, un’espressività e un controllo vocali notevoli, duella esplicitamente col fantasma di Carmelo Bene (evocando soprattutto il Pinocchio), ed è nello stesso tempo burattino e burattinaio, in una rigorosa e stilizzata partitura gestuale, la cui coreografia è pilotata in parte dalle esigenze del software e in parte dall’efficace trama musicale di Gianluca Misiti".
Andrea Balzola, http://www.ateatro.it
http://www.trax.it/olivieropdp/ateatro94.asp

font mailing [aha]

8th Annual All Media Juried Online International Art Exhibition

8th Annual All Media Juried Online International Art Exhibition

http://www.upstreampeoplegallery.com/current/default.asp

Swimming Pool XPO's


L'Associazione Atelier Spazio XPO' (ASX) è un'associazione no-profit per l' organizzazione e la gestione di servizi per l'arte e lo spettacolo. Laboratorio permanente di riflessione sull'arte (da cui nasce il concetto di "atelier"), si prefigge anche la creazione di un network di spazi sul territorio nazionale che permetta di mettere in connessione artisti e territori, luoghi disponibili ad accogliere iniziative culturali di qualita' e di genere vario, nei quali la "location" non sia solo uno spazio ospitante ma diventi anche parte integrante delle opere d'arte e delle tematiche.

Eventi: Swimming Pool Xpo's
19 Gennaio / 13 Aprile 2006 - Arte in piscina a Milano: mostre, happening e spettacoli di arte performativa.
Con il contributo di:Comune di Milano - Settore Sport e GiovaniProvincia di Milano - Settore beni culturali, arti visive e musei. In collaborazione con Milanosport spa.

Eventi: Oltre Le Barriere
domenica 29 gennaio ore 21 Teatro "Dal Verme" - Milano
Enzo Jannacci e la sua band Vinicio Capossela + Vincenzo Costantino Chinaski Bebo Storti, Lucia Vasini, Claudio Batta, Gaetano Liguori, Walter Leonardi, Gianluca De Angeli & Gianmarco Pozzolieccezionalmente insieme per celebrare i 25 anni di attività dell'ASSOCIAZIONE PARAPLEGICI LOMBARDIA.

http://www.asxpo.it/