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¿Interactivos? - Media Lab Madrid

Project development and production advenced workshop

Advanced workshop for the collaborative development of 10 projects of digital and sound art, critical design, educational applications, etc.

Dates: from the 18th to the 30th of April 2006.


Coordinators


David Cuartielles
(1974, Zaragoza, Spain) MSc. in Telecommunications Engineering. In 2000 he developed The Wake Interactive, a net.art project consisting of a web version to Finnegans' Wake - the clasic by James Joyce- wich brought him to K3, the School of Arts and Communication located in Malmö, Sweden. Since August 2002 he also became a PhD Student and researcher dealing with the boundaries between Interaction Design and Art. His academic work focuses in analyzing embodiment, indoor location systems and technologies for real time performances. His artistic work, mainly low-fi interventions parodying his own field of research, brought him to the 8th Istanbul International Biennale in 2003, and to the 3rd Berlin Biennale during 2004. David is the founder of several initiatives: the Critical Design group Aeswad - active since 2002, the Labbs.net community - online since the summer 2002, the Digital Arts Collective Desearch and Revelopment - active since August 2003, the Experiments in Art and Technology SWEden/DENmark group - active since September 2003, and the media server Goldiaq - online since December 2004. He has developed the Arduino board (an open hardware tool) together with Massimo Banzi.

http://www.arduino.cc

http://rd.labbs.net

http://www.arduino.es

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Zachary Lieberman's
(USA) work uses technology in a playful and enigmatic way to explore the nature of communication and the delicate boundary between the visible and the invisible. He creates performances, installations, and on-line works that investigate gestural input, augmentation of the body, and kinetic response.

Working with collaborator Golan Levin, he created a series of installations - Remark and Hidden Worlds - which presented different interpretations of what the voice might look like if we could see our own speech. These were followed with Messa Di Voce, a concert performance in which the speech, shouts and songs of two abstract vocalists were radically augmented in real-time by interactive visualization software. The collaborators were recently nominated for Wired magazine's artist of the year award and have toured and exhibited their works widely, much to the delight of their audiences.

Lieberman has held artist residencies at Ars Electronica Futurelab, Eyebeam, and most recently at Dance Theatre Workshop, where he investigated how technology might be used to aid the choreographic process.

http://www.thesystemis.com

http://www.tmema.org

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Casey Reas
is an artist and educator exploring abstract kinetic systems through diverse media. Reas has exhibited and lectured in Europe, Asia, and the United States and his work has recently been shown at Ars Electronica (Linz), Kuenstlerhaus (Vienna), P.S.1 (Queens), Bitforms (New York), Chromosome (Berlin), and Uijeongbu City (Korea). Reas is currently an Assistant Professor in the Design | Media Arts department at UCLA. Reas received his MS degree in Media Arts and Sciences from MIT where he was a member of John Maeda\'s Aesthetics and Computation Group. With Ben Fry, he is currently developing Processing, a programming language and environment built for the electronic arts community.

http://www.groupc.net/

http://www.processing.org

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Hans-Christoph Steiner.
Fusing three disciplines, Hans-Christoph Steiner spends his time composing music with computers, building networks with free software, and working on interactive art. With an emphasis on collaboration, he has worked in many forms, including responsive sound environments, free, wireless networks that help build community, musical robots that listen, and interactive sculpture using homemade jets.

His solo work has been performed at Tonic New York, inside the Croton Aqueduct, and inside the Atlantic Avenue Tunnel. Group projects that he has collaborated on have been exhibited at Lille2004 European Cultural Capitol Festival, Robodock, Wood Street Gallery, Joyce SOHO, and Scope Art Fair. He has given talks at ITP/NYU, LocationOne, Tama Art University, Geidai Tokyo National University, and dorkbot-nyc, presenting a range of topics from art projects to music programming to intellectual property. His work has been covered by the New York Times, Wired News, New York Press. Steiner received his Masters from NYU's Interactive Telecommunications Program.

He is currently working on free, open-source media arts curricula and teachers\' guides and turning Pd into a full-fledged programming platform.

http://at.or.at/hans/

http://www.puredata.org

http://www.puredata.org/dev/pddp


PROJECTS

Ávaro Castro: Constructive Interactions
Alejo Duque: TTSM*(* Typewriter Tracklog Sewing Machine)
Cristina Hoffmann: Tangible Light
Julio Lucio: Fluctuaciones
César Martínez: Sculptural Events
Alma Orozco: Mandala
Daniel Palacios: Cantarranas
www.cantarranas.stopantplay.com
Marco Spies: Musical city. An interactive learning toy.
Pontus Stalin: You can try the best you can. (Will the best you can be good enough?)

¿Interactivos? proposes to transform the exhibition space into a place where to share experiences, acquire knowledge and debate ideas. Through an exhibition, workshops and presentations, the public will approach new forms of production and will experience the uses of electronics and programming for educative and creative purposes.

Interactives? is a hybrid between a workshop and an exhibition. Through a colaborative development of 10 projects of digital art, sound art, critic design and educational applications, Interactives proposes to transform the exhibiting space in an place for production, debate and communication open to the public.

Workshops

From 18th to 30th April
Advanced workshop for the developing of digital art, sound art, critic design or educational applications that use interactive technologies inscribed inside open hardware and free software philosophy.
29th April: final presentation of projects

5th and 6th of May
Processing Seminar by Casey Reas

From 8th to 20th May
Workshop aimed at secondary education teachers and students from the technology area and test the possibilities of the open hardware Arduino board at this educational stage. Directed by David Cuartielles (Arduino developer) and Juan Carlos Alonso (technology teacher at ESO). With the support of the Consejería de Educación de la Comunidad de Madrid.

Encounters

22nd of April: Open Debate
from 10:30 to 14:30 and from 17:00 to 20:30
This debate raises a questioning and a reformulation of the idea of “interactivity” in a conceptual, technological, biological and social level. With the participation of Carlos Briones, Javier Candeira, Jordi Claramonte, Javier de la Cueva, David Cuartielles, Daniel García Andújar, Miguel Ángel García, Zachary Lieberman, Susana Noguero and Hans-Christoph Steiner.

27th of April from 17:30 to 20:30
Creation in the Internet and meeting places. Institution, collectives and persons,
Inside the seminar organized by Jesús Carrillo and Jesusa Vega: Art politics: new models of cultural production in the knowledge society.

4th of May at 19:00
Davide Grassi DemoKino – DemoKino – Virtual Biopolitical Agora
An Anti-entertainment Interactive Movie.
http://www.aksioma.org/demokino/

External activities

21st of April at 21:00 Interactives? at Dorkbot (Ladinamo, C/Mira el Sol, 2)
Gunther Geiger, Hans-Christoph Steiner and neokinok.tv
http://dorkbot.org/dorkbotmadrid/

22nd of April at 22:00 Concert at Radar
Jaime Munárriz and Enrique Tomás
(C/ Amaniel, 22)

29th of April from 21:30
Copy left music sessions – concert at Ladinamo (C/Mira el Sol, 2)
Drawn (performed by Zachary Lieberman)

http://www.medialabmadrid.org/medialab/

WATCH VIDEO - WORK ONLINE

WATCH VIDEO - WORK ONLINE

It's All Electric: Supporting & encouraging British filmmaking
Four Minute Wonders
Depict
Moon Radio
Desperate Optimists
Snack on Art
Fwfwd
Slipstream, a Film and Video Umbrella
Post Video Art
Identinet
Park Spring Well
Utopia Travel
Stop for a Minute
Wigged

SAVE AS by Adam Harvey

SAVE AS, an exhibition Brooklyn (May 4, 2006 — May 31, 2006) of works by digital artist/photographer Adam Harvey.

SAVE AS reclaims the promise-laden subject lines of spam emails by digital mapping them into large-scale pornographic forms that probe the intersection of sex and commerce on the Internet.

Married but Bored? Need a bigger penis?

Send an RSVP email* to have your text included in a special audience-generated work that will be presented on opening night after enough rsvps are received.

The email's subject and body will be used as the text for the work. No email addresses are recorded, displayed, or used in other way except for sending a confirmation email after receiving your submission. You will not receive any spam as a result of sending email to SAVE AS.

more information an email where ou can send you text on http://www.ahprojects.com/exhibitions/saveas.php


Google video TOP 100

Google video TOP 100
http://video.google.com/videoranking

now 1 POSITION : Incredible Machines - Rube Goldberg

wyhiayg what you hear is all you get !

wyhiayg what you hear is all you get !

--
wyhiayg turns the wysiwyg-paradigm upside down: what you hear is all you get! and what you hear makes poetically audible what is usually unseen but silently determines the media: the plain code. have you ever listened to the source of your own website?

wyhiayg is a web-code-reader. enter the URL of any website and you will receive a mp3-encoded reading of its HTML-source-code.

Inserisci una URL qualsiasi e wyhiayg leggera' il codice della pagina trasformandolo in mp3

link http://www.wyhiayg.net

via neural




Richard Stallman

Servizio sulla conferenza al Politecnico di Torino di Richard Stallman
fondatore di
GNU e della licenza GPL su rainews24
Da software libero ad hardware libero ?
contro digital divide -
rainews24

NEOMEDIA - RAI NEWS 24

altri video interessanti su RAI NEWS 24 -
NEOMEDIA http://www.rainews24.it/ran24/magazine/neomedia/
SETTIMANALE SU TECNOLOGIE E LINGUAGGI DEI NUOVI MEDIA E DELL’INFORMAZIONE
di Martino Seniga

---- Cosa e' e come funziona il Marketing Virale, la distribuzione da utente ad utente della pubblicità in INTERNET. Un'infezione virale ma volontaria che e' probabilmente meno fastidiosa e, in alcuni casi, più divertente dello spamming pubblicitario, che colpisce costantemente tutti gli utenti della rete. - video

---- VIAGGIO VIRTUALE AL CEBIT video


WIKIQUOTE

WIKI QUOTE
Aforismi e citazioni in libertà.

""Stiamo creando un compendio libero e multilingue di citazioni. Il progetto inglese ha preso l'avvio nel giugno 2003; la versione italiana, nata il 17 luglio 2004, conta in questo istante 2.914 pagine di citazioni (anche in lingue diverse dall'italiano e tradotte), aforismi, incipitproverbi, inclusi fonti conosciute e collegamenti a Wikipedia per ulteriori informazioni.""

http://it.wikiquote.org/wiki/Pagina_principale

Meet the Bloggers - Lifehacker.com

Google's Top Searched News Meet the Bloggers - Lifehacker.com
on GOOGLE_current_TV

http://www.current.tv/google/GC01153

Corpi Urbani

La mostra Corpi Urbani - Un Corpo per Milano non avrà più luogo presso il Marosi, via Villapizzone 26 ma, a causa di problemi tecnici, presso la

Libreria Utopia
via Moscova 52

L'inaugurazione rimane martedì 18 Aprile alle 19.00
La mostra si concluderà il 2 Maggio.

breaking-news-la-mostra-corpi-urbani

Max Bill

MAX BILL

Illimitato limitato 1947

Palazzo Reale a Milano celebra Max Bill, la figura di uno dei più importanti esponenti dell’arte del Novecento. Una grande mostra sull’architetto, designer e pittore svizzero attraverso 250 opere che ripercorrono l’attività di un artista tra i più versatili del Bauhaus.

Quadrato rosso, olio su tela, 1946-84, diagonale 70 cm


macchina da scrivere PATRIA

Guarda il video su Max Bill http://www.art-tv.ch/bill.html

EVELIN STERMITZ

new entry gallery2006


EVELIN STERMITZ

Artwork title:
‘World of Female Avatars’

Artwork URL: http://females.mur.at/

World of Female Avatars

A net art project by Evelin Stermitz.
Coding by Jure Kodzoman, Ljiljana Perkovic and Loritz Zbigniew.

female

About the project

World of female avatars is a project for expanded understanding of women and their relation to their body. By using the internet as an artistic survey media as many different entries from different cultures as possible will be collected. The public call for female body pictures and text with personal statements about the body is going to be presented at this net art project. The submitted pictures are used for a digital collage to create new bodies - The avatars of female body, which will live in the cyber World of Female Avatars from now on. Just visit the virtual world and click for the virtual bodies and their statements! The project is implemented by using Flash, so you need to have Flash Player 8 installed.

Background of the project

As women always have been and are strongly connected to their body in a positive and/or negative sense, it could be supposed there is also a relation to it. In times of virtual reality, avatar and cyborg the body is not important in its natural matter anymore although in reality still in use. Adorno und Horkheimer described the "Interest on the Body" as deadly because of the disturbed use of the body as only in parts of prosthesis. Discussing the body in Post Modern Society means also to discuss different developments which changed the natural body in a cultural and an economic object. What remains from the body, if the body still exists? Some theories view the body as only natural, some as antagonistic to technology. Paul Virilio describes the body as static and passive, which is looking for action in multiple overbidding. The rise of New Media means for Virilio an important break between man and woman because of the absence of body presence. To be in virtual space like an angel as a third sex is a position of future androgyny. The body as artistic material in the early seventies is another major aspect of this project. Instead of using the own artistic body, others shall be involved in the project. By receiving different input sources new bodies are going to be constructed on the net.

The basic areas of interest of this artistic work are
Body and technology
Body and sex
Absent body
Body and picture
Body and violence

The debate of body in media art and in this project is as follows
draft of third sex
emphasis of traditional visions of sex
disclosure of construction of social sex (gender)
development of new body language.

BIOGRAPHY

Working on media art projects by using different media like photography, video and net, including installations and conceptual works.
The focus of art work is on female and social topics. The issues of projects are about gender, role models and the gap between man and woman referring to the theory of Jacques Lacan. An important task is the female body and the outgoing connection to created symbolic meanings of gender in history and nowadays. In media theory the main interest is on the representation and approach of the female body in everyday media and media art encouraged by Barbara Krugers work “Your body is a battleground”.
Completed the study of Media Communication at University Klagenfurt / Austria and received scholarship from the Ministry of Culture of the Republic of Slovenija for postgraduate study of Visual Communication at the Academy of Fine Arts Ljubljana (Prof. Milan Pajk – photography, Prof. Sreco Dragan – video and new media) in the year 2004.

Website URL of Evelin Stermitz http://es.mur.at/

gallery 2006

pasqua


Yoko Ono Cut Piece



Ono Performs Cut Piece at Carnegie Hall in 1965.
From http://bedazzled.blogs.com

Video Sculpture in Germany since 1963

Video Sculpture in Germany since 1963

An Exhibition curated by Wulf Herzogenrath

Organised jointly with the Institute for Foreign Cultural Relations (IfA), Stuttgart and CIMA.

Inauguration: Sunday 19 March 2006, 6.00 pm
by Anja Osswald (Berlin)

“Artists will one day work with electronic apparatuses the same as they now work with a brush, with a violin or garbage”
- Nam June Paik, 1965

“Video is like a pencil” – John Baldessari

This huge exhibition, now brought to Calcutta, produced by IfA (Institute for Foreign Cultural Relations, Stuttgart) reveals a variety of styles and many of the disparate spheres of application of video art over a spectrum extending from the Fluxus Happenings of the Sixties to the recent interactive audience- participation video realized through the use of computer interface and video camera. The strictly minimalist presentation of the inherent tautology of the video medium is shown along with poetic narratives composed of visual and acoustic associations. Feminist accents and poetic self reflection alternate with ironic apercus relating to art history (Wentscher), critical reactions to current affairs in Germany and startling visions of the simulacra of violence inherent in the medium. The applications of video technology cover a similarly broad spectrum, ranging from closed circuit video installations with camera and monitor, their subsequent computer-aided variants, the anti-technology articulated by Paik´s variations of his celebrated “Budha Looking at Old Candle TV”, to Kahlen´s “Rock TV”.

The exhibition presents 13 artists with eighteen video sculptures and 47 works on paper (gouaches, silk-screen prints, photographs, photocopies), all created since 1963. An effort has been made to include recent works, some created specially for this exhibition. By and large, four generations of artists are represented.

1. The late Nam June Paik, the father of video art, who made a beginning with his “ Exposition of Music – Electronic Television” in Wuppertal in 1963 and has been teaching in Düsseldorf since 1989, and late Wolf Vostell (+1998), who introduced video sculptures to the USA for the first time with his show at the Smolin Gallery in New York and used video in performances, exhibition rooms, theatres and elsewhere.

2. The second generation: Claus Böhmler, Klaus vom Bruch, Wolf Kahlen, Marcel Odenbach, Ulrike Rosenbach, Reiner Ruthenbeck, Jeffrey Shaw, Herbert Wentscher, all of whom have since become instructors at German art academies or art and media technology centres in Hamburg, Karlsruhe, Berlin, Cologne, Saarbrücken, Münster, Weimar.

3. The younger generation: Ingo Günther, Jean-Francois Guiton, Dieter Kiessling, Franzika Megert, Wolfgang Staehle, who all work almost exclusively at solo and group exhibitions.

4. The youngest generation: Anna Anders, a representative of the first generation of art students to graduate from the new art and media technology centres (she studied at the one in Cologne), and Birgit Brenner.

Wulf Herzogenrath on video art:

“Video recording, like painting in oils, drawing with a pencil, or silk-screen printing, is a medium that, besides being used in art, has a broad variety of non-aesthetic applications in, for instance, commerce and industry. In this context it is comparable to photography, which for many generations had to struggle to achieve recognition by museum directors as a legitimate art form. Who can forget the heated controversy during the sixties concerning the whether photography should be accorded the status of an art form or simply be defined as a means of recording visual phenomena. Over the course of its now more than forty years of existence video art sparked off similar heated discussions. This was – and still remains – due to its close association with the “consumer good” television and the reliance of both video and television upon the same technology, viz., the electronic recording, storage and play-back of images. Still to this day the term video more readily calls to mind corporate TV and closed-circuit surveillance TV than a modern art form.”

link - http://www.goethe.de/ins/in/kol/en1194174.htm

The Telegraph 20th March 2006

Matthew Barney

The Cremaster Cycle - Matthew Barney's official web site.
http://www.cremaster.net/

Pigreca

new site online ...
http://www.pigreca.com

DES INSTANTS OU TOUT SEMBLE S'ACCORDER

"DES INSTANTS OU TOUT SEMBLE S'ACCORDER"
Collectif Anonymes

du 18 au 28 avril à l'Espace Croix-Baragnon, Espace III
Installation multimédia dans la cadre du Forum de l'image
Vernissage mardi 18 avril à 18h.

Entrée libre
Ouvert du mardi au samedi de 12h à 19h
Espace Croix-Baragnon
24, rue Croix-Baragnon
31000 TOULOUSE - Métro Esquirol
tél : 05 62 27 60 76
arlette.malie@mairie-toulouse.fr

textually.org

textually.org is all about text messaging and how cell phones are being used around the world

Textually.org is produced by Emily Turrettini from Geneva, Switzerland

textually.org is the entry point of three weblogs devoted to cell phones and mobile content, focusing on text messaging applications,
ringtonia.com is all about the buzz and the business of ringtones and music phones,
picturephoning.com takes a look at a new world where picture & video phones become ubiquitious.