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conflux 2006

PAUSE is a series of public experiments in urban time, to take place during Conflux 2006. On each day of the four-day festival, a group of 30+ participants will gather in public space to pause together. Please visit themiddleofnowhere.org/pause/ for further information on how you can take part!

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about Conflux 2006

Glowlab announces the third annual Conflux festival for contemporary psychogeography, the investigation of everyday urban life through emerging artistic, technological and social practice.

Dates: September 14 - 17, 2006
Location: McCaig-Welles Gallery, 129 Roebling Street suite B
Brooklyn, NY
Hours: 10am -- 7pm [evening event schedule and venues on festival website]

Brooklyn-based arts lab Glowlab announces Conflux 2006, a festival where international artists, technologists, urban adventurers and the public put investigations of everyday urban life into practice on the streets.

At Conflux, the city becomes a playground, a nomadic laboratory and a space for the development of creative communities. Events over the course of four days include experimental walking, biking and public-transport tours; street games and tech workshops; a film/video series; and mobile broadcasts, performances, situations and installations.
Conflux is a hub for contemporary psychogeography, the exploration of the physical and psychological landscape of cities.

The Village Voice has described Conflux as a “network of maverick artists and unorthodox urban investigators…making fresh, if underground, contributions to pedestrian life in New York City, and upping the ante on today’s fight for the soul of high-density metropolises.”[1]
Conflux 2006 will feature a full program of events from Thursday through Sunday, with projects from over 75 artists from across the US and countries including Canada, UK, Spain, Germany, Finland, Sweden and Australia.

Highlights include an urban tourism “mash-up” recreating Baghdad in New York; a PDA mapping project visualizing the wireless urban landscape; roadside memorials to toxic spots on the Williamsburg/Greenpoint waterfront; a large-scale urban game of Othello; a multimedia lecture connecting street art with online social networking; a walk through Brooklyn guided by smell; electronic clothing allowing wearers to experience vibrations calculated by urban conditions; a bike tour of the edges of the five boroughs; ecologically-oriented projects featuring gardens both electronic and organic; and an audio tour of the city subways.

Conflux will be held for the first time in Brooklyn this year. Events will take place at multiple locations in Williamsburg, with festival headquarters at McCaig-Welles Gallery, 129 Roebling Street between N.4th and N. 5th Streets, where maps and a schedule will be available. We are proud to introduce the Village Voice as the exclusive media sponsor of Conflux. All Conflux events will be free and open to the public. A complete schedule with event details and additional information will also be available online beginning in mid-July at http://confluxfestival.org.
Conflux has previously been held in 2003 and 2004 on the Lower East Side, and beginning in 2006 will become an annual event. Conflux is produced by Glowlab [http://glowlab.com], a Brooklyn-based, artist-run production and publishing lab engaging urban public space as the medium for contemporary art and technology projects. In addition to the Conflux festival, Glowlab produces an online magazine, exhibitions, a lecture series and public-space projects. Glowlab was founded in 2002 by Brooklyn-based artist and curator Christina Ray. For 2006, Glowlab has invited Boston-based arts group iKatun [http://ikatun.com] to join the curatorial team.

Complete festival information may be found on the Conflux website at http://confluxfestival.org.

[1] The Village Voice, “Psychogeographers Navigate NYC’s Changing Landscape” by Bryan Zimmerman, May 07, 2003, p. 49.

CrossMediale 1 in Chicago

CrossMediale 1

Austria – Germany – Japan – Netherlands – Poland – USA

An exhibition of American and International art in new media curated by Gosia Koscielak.

Exhibition Dates: August 4 – 28, 2006

Opening reception/vernissage: Friday, August 4th, 2006, 6:00 pm – 10 pm

Special events:

August 4th, 2006 6 - 10 pm
Annette Barbier and Drew Browning
You Are Here, Pure Data & GEM projection onto the exterior of the gallery building, visible from the Kennedy Expressway (I-94), near exit 48B (North Ave.)

August 4th and 25th, 2006 6 - 10 pm
La Bande Sans Fin electro-audio-visual performances

Participating artists:
Mark Baldridge, Annette Barbier, Hans Bernhard, David Blum, Drew Browning, Ben Chang, Miroslaw Chudy, Melinda Fries, Catherine Forster, Scott Kildall, Toshihiro Komatsu, Lizvlx, Zbigniew Oksiuta, Erik Olofsen, Richard Purdy, Silvia Ruzanka, Galina Shevchenko, UBERMORGEN, David Zerlin, La Bande Sans Fin.

CrossMediale 1 is an international exhibition focusing on new media art. The concept of the installation of this show allows the viewer to move freely between artworks produced in vr, photography, and video, amid images derived from quantum mechanics, cosmology, computer programming, and fractal geometry – as exemplified by the encaustic on wood pieces by New York artist Richard Purdy. Artworks included in this exhibition traverse media and concepts.

Chicago digital artists Ben Chang, Silvia Ruzanka, and Mark Baldridge present virtual reality works. Mark Baldridge’s vr work ChiSky is inspired by the paintings of Roger Brown, a Chicago Imagist, while Ben Chang’s vr work is a virtual kinetic sculpture based on permutations of pieces from the IKEA catalog

Video works are by Catherine Forster, Scott Kildall, Erik Olofsen, Galina Shevchenko, Miroslaw Chudy, Melinda Fries and Zbigniew Oksiuta. The exhibition includes a special video project, Spatium Gelatum (congealed space), by Zbigniew Oksiuta. This project, which examines dynamic systems that transfer information and energy through liquid medium, is a crossover of architecture, art, and the biological sciences. It was presented at the 2004 La Biennale di Venezia, the 9th International Architecture Exhibition and ArchiLab, La Ville à Nu, 6e Rencontres Internationales d ’Architecture d ’Orléans in France.

Erik Olofsen, and Toshihiro Komatsu display photographs. Dutch artist Erik Olofsen presents Mugshot photo as well as Shift, a video installation consisting of a double video projection of wooden shapes gliding over and past each other like drifting continents. The projections touch, causing the images to move from and towards one another. Sometimes both projections fall “into the fold” and create a new entity. The blank spaces–the emptiness in between–become as tangible as the saw-toothed wooden forms. The scale and perspective transform, hinting at geopolitical shifts.

UBERMORGEN presents the ART FID (2005) painting series, featuring digital prints on canvas, which portray, magnified on a monochrome background, the structure of round RFID chips. UBERMORGEN.COM’s focus on “the pixel as the molecule” and technology as a hidden demon relates also to the technology industries newest gadgets -- RFID (Radio Frequency Identification) chips are one of the leading technologies of the future: an identification system that can collect diverse information about the products it is attached to as well as the person that has made purchase of the product. The ART FID series was shown for the first time during ART 36 Basel, announced by a press release – a media hack in pure. UBERMORGEN.COM's style – talking about an experimental initiative by the same Art Basel: the introduction of the RFID technologies into the art system, providing visitors immediate access to information about all artistic works being presented, as well as access fot gallerists into the financial situation and the purchasing power of potential buyers. Recently reviewed in ARTFORUM, UBERMORGEN’s collaborative project GWEI—aka Google Will Eat Itself—tackles Google's dominance of the Internet. UBERMORGEN is an artist duo from Vienna, Austria–Lizvlx and Hans Bernhard–and represents contemporary European techno-fine-art avant-garde.

Special events include YOU ARE HERE, Pure Data & GEM projection by Drew Browning and Annette Barbier onto the outside of the gallery building at the 4th floor level and visible from the Kennedy Expressway (Interstate 94), near exit 46B. Further, two electro-audio-visual performances by La Bande Sans Fin, a Chicago based multimedia artistic team formed by David Zerlin and David Blum, will take place.

CrossMediale 1 is the first show from a planned series at Gosia Koscielak Gallery, which seeks to examine new media phenomena in international art.

view website http://www.gosiakoscielak.com/

Drawspace.com - Drawing lessons

Drawspace.com - Drawing lessons

Pew Internet: Pew Internet - Bloggers

Pew Internet: Pew Internet - Bloggers:
"A national phone survey of bloggers finds that most are focused on describing their personal experiences to a relatively small audience of readers and that only a small proportion focus their coverage on politics, media, government, or technology. Blogs, the survey finds, are as individual as the people who keep them. However, most bloggers are primarily interested in creative, personal expression – documenting individual experiences, sharing practical knowledge, or just keeping in touch with friends and family."

OpenContentWIki

Syllabus Spring 2006 - OpenContentWIki: "Innovation continues to occur on the internet at an extremely lively pace. What was once the realm of email, FTP, Gopher, and the Web is barely recognizable a mere 10 years later. Keeping up with the speed of innovation and maintaining a familiarity with the most recent tools and capabilities is handy in some professions and absolutely critical in others. This course is designed to help you understand and effectively use a variety of 'web 2.0' technologies including blogs, RSS, wikis, social bookmarking tools, photo sharing tools, mapping tools, audio and video podcasts, and screencasts."

Robot chimpanzee


A robot chimpanzee developed by the Chinese Academy of Sciences was unveiled in Beijing on August 11, 2006
via en.ce.cn

altri robot cinesi


via chinadaily

read article on zdnet blogs

rebels e martyrs



Ferdinand-Victor-Eugène Delacroix, 'Tasso in the Hopsital of St Anne Ferrara', 1824.
Private collection.
© Courtesy Nathan Fine Art Berlin/Zurich.

The artist as a rebel battling against society, a tortured and misunderstood genius, has a powerful hold on our collective imagination.

Gustave Courbet, 'Self Portrait ('The Desperate Man')', about 1843.
© Private Collection, by courtesy of BNP Paribas Art Advisory

This exhibition traces the development of this idea, from the birth of Romanticism through to the early 20th century and the avant-garde.

Egon Schiele, 'The Poet', 1911.
Leopold Museum, Vienna. Inv. 450.© Leopold Museum, Vienna.

Bringing together works by many of the great artists of the period, including Delacroix, Courbet, Manet, Van Gogh, Gauguin, Rodin, Picasso and Schiele, it explores how they responded to Romantic ideas about creativity and deliberately cast themselves as outsiders and visionaries.

national gallery