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Networked participation on secondlife

Emerson College and New Radio and Performing Arts, Inc./Turbulence.org
present:

OurFloatingPoints 4: Participatory Media: Ulises Mejias and Trebor Scholz:
"The Challenges and Affordances of Participation in the Age of Networked Individualism"

DATE: February 28, 7 pm
VENUE: Emerson College, Bordy Theater, 216 Tremont Street, Boston
Streamed live online and broadcast to Second Life!
Free and open to all!

This Floating Points event will start with Ulises Mejias and Trebor Scholz both presenting their positions about opportunities and problems with participation in sociable web media. They will then discuss each others argumentation and end with a debate open to the public at large.

The sheer scale of current networked sociality demonstrates the potential of sociable web media to democratize society through emerging cultures of broad participation. While phenomena like information overload accompanied the emergence of communication technologies for a very long time, this current social turn is new. Millions of people can now perform themselves as speakers, which is more pertinent than the question of quality or even political orientation of the produced content. In his presentation, titled "The Participatory Challenge," Trebor Scholz will investigate the affordances of sociable web media by looking at examples of the different intensities and motivations for participation in sociable web media and their effects.

Is production the new consumption? In "Networked participation: Wisdom of crowds or stupidity of masses?" Ulises Mejias will assess whether sociable web media can live up to its promise of reinvigorating the public sphere.
While participatory networks are certainly posing an alternative to the ways in which the old mass media generates and disseminates messages, there is increasing skepticism about their ability to transform this aggregation of (mostly self-referential) information into meaningful social change.
Furthermore, participatory media networks run the risk of being appropriated by the same mass media networks that contribute to the alienation of the individual within society. To understand why this is happening, we need to engage in a critique of the network as a model for organizing social realities. Only then will we be able to conceptualize new social realities that incorporate the best of networked participation with other ways of being in the world.

Ulises Ali Mejias is an educator and technocultural theorist whose research interests include networked sociality, the philosophy of technology, and learning design. He is a doctoral candidate at Columbia University, where he has taught a graduate seminar on the affordances of social media. His dissertation, "Networked Proximity: ICT's and the Mediation of Nearness" deals with the redefinition of social relevancy by digital media and explores the limits of the network as metaphor and model for organizing social realities. Mr. Mejias has been nominated two years consecutively for an EduBlog award.

Trebor Scholz is a media theorist, artist, and activist who lectures internationally on the affordances of networked sociality for media activism, art, and education. As founder of the Institute for Distributed Creativity (iDC), he contributed essays to several books, journals, and
periodicals and co-edited "The Art of Free Cooperation," forthcoming with Autonomedia (NYC). He is currently assistant professor and researcher in the Department of Media Study at the State University of New York at Buffalo and research fellow at the Hochschule fuer Kunst und Gestaltung, Zurich . (Switzerland).

For more information about the series, please visit
http://institute.emerson.edu/floatingpoints/

Jo-Anne Green, Co-Director
New Radio and Performing Arts, Inc.: http://new-radio.org
Turbulence: http://turbulence.org
New American Radio: http://somewhere.org
Networked_Performance Blog: http://turbulence.org/blog
Upgrade! Boston: http://turbulence.org/upgrade

Amen Break

This fascinating, brilliant 20-minute video narrates the history of the "Amen Break," a six-second drum sample from the b-side of a chart-topping single from 1969. This sample was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music -- a six-second clip that spawned several entire subcultures. Nate Harrison's 2004 video is a meditation on the ownership of culture, the nature of art and creativity, and the history of a remarkable music clip.


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SOUND//BYTES_

SOUND//BYTES_
electronic and digital soundworlds

D-26121 Oldenburg

3. March - 15. April 2007
Opening: 2. March 2007, 19 pm

Artists:

Jens Brand, Carl-Michael von Hausswolff, Yunchul Kim, Thomas Köner, Christina Kubisch, Akitsugu Maebayashi, Kaffe Matthews, Micromusic, Annina Rüst

micromusic

Sound is everywhere – but we cannot always hear it. Artistic research into new sound materials is drawing attention to previously
unheard-of things. New technologies are just as instrumental for experimental artistic work as they are sources of sound.

edith-russ-haus.de