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LIFE IS NOW


LIFE IS NOW - ULTIMA OCCASIONE
CASTELLO DI ARENA PO (Pv)
dal 26 maggio al 17 giugno 2007
inaugurazione sabato 26 ore 17.00
orari : Sabato e domenica dalle 10,00 alle 17,30


http://www.gardelli.eu/

Shift project


Elektra Montreal


NO HUMAN NO CRY

11 e 12 maggio 2007 @ Cox 18 via Conchetta 18 Milano

NO HUMAN NO CRY presenta

OMBRE SENZA CORPI
2 giorni di musica, arte ed installazioni

programma musicale

venerdi 11 dalle 23.00 alle 3.00

mbst8 (milano - live elettronica con software autoprogrammati)
banders (carrara/livorno – live breakbeat )
alice (nowhere - dark-pop, bizarre downtempo, strip-hop dal vivo)

sabato 12 dalle 23.00 alle 3.00

pablito el drito (milano – techno xstravaganza dj set)
figli di diapa (milano - granulizzazione e resampling, ambient-noise live)
hyena vs kimera (milano - deep-hop, dubstep live)
cdatakill (denver, u.s.a. - adnoiseam)
a034 (no-school dark chopped beats)

esposizione ed allestimenti:
tana's creatures, ratzo, li abbiati, greta eta, emmanuelle pacini,endrago, chiaralice lorenzini, miss cusa ... and more

live visuals:
madame blavatsky , kimera , kohou

LINK : www.nohumannocry.org

REBELOT

11-12-13 MAGGI0
Cavalcavia Bussa, fs mm2 Garibaldi MI
Rebel8
EL SUC DE MILAN
- prima fiera metropolitana dell'autoproduzione -
REBEL8: la prima fiera metropolitana dell'autoproduzione: una fiera nel senso nobile del termine, arricchita di tanti desideri mai realizzati.
L'idea nasce durante la vicenda degli O-bej O-bej, quando la giunta comunale decide di spostare "la fiera per eccellenza" dei milanesi, un appuntamento annuale che da tempo remoto prende spazio nella storia e nelle strade di questa città.
Di questo appuntamento meneghino ci sono visioni completamente opposte. Da un lato la giunta e una parte della popolazione che propongono un mercato della tipologia standard (tipo quelli che si vedono alle feste di quartiere organizzate dalle associazioni di commercianti,in cui spesso sono oggetti comuni dozzinali a farla da padrona). Dall'altro un nutrito insieme colorato e ciarliero di artigiani, riciclatori, robivecchi, saltimbanchi e pinco palli vari che vedono nei giorni della fiera, un'occasione di incrocio fra creature simili e cittadini festosi e una possibilità di scambiare o vendere le loro amate produzioni.
Un REBELOT come si dice a Milano, che è per noi è il vero 'suc de Milan'.
Di qui l'intento e la voglia di creare un'evento in cui rendere agibili in questa città momenti di partecipazione e incontro altrimenti negati, fornendo spazio alla presentazione e promozione di autoproduzioni.


programmazione-eventi
http://rebel8.noblogs.org

cul de sac


LINK: torchiera.noblogs.org

UOVO performing art festival


incontemporanea - numero uno

Numero Uno
11, 12, 13 maggio 2007
Triennale di Milano
Via Alemagna, 6
Ingresso libero


11 Maggio
10.30

IED: presentazione del video Numero Zero (saletta Lab)
12.30
Reporting System: presentazione del progetto “Drafting Emotions” con doppia proiezione dei workshop svolti nelle scuole di Milano e Amburgo e distribuzione gratuita della pubblicazione
15.00
Xing: convegno “Artmakers – produrre l’arte oggi in Italia” (saletta Lab)
15.30
Viafarini: performance di Stefano Romano (spazio mostra)
17.00
Artandgallery: performance di Gigi Rigamonti “Invisible project” (spazio mostra)
18.00
Artandgallery: aperitivo offerto dall’Associazione Libera a base dei prodotti delle terre sequestrate alla mafia. A cura di Moreno Gentili. (spazio mostra)
19.15
Amazelab: presentazione dell’installazione di Ali Hassoun con la presenza di Hassan Najem, console del Libano a Milano.


12 maggio
10.30
Careof: Incontro con Zimmerfrei (saletta Lab)
14.00
AmazeLab: incontro con il designer Nadim Karam (saletta Lab)
15.30
Xing: convegno “Artmakers – produrre l’arte oggi in Italia” (saletta Lab)
18.00
Uovo: performance dell’artrista Francesca Grilli “Arriverà e ci coglierà di sorpresa”
19.15
Museo Teo: concerto dello Zoccolo Duro (atrio)
APERITIVO
21.00
Wurmkos: Filippo Monico, musicista, suona Wurmkos in concert #2, performance con oggetti sonori creati dal gruppo (atrio).


13 maggio
10.30
Artandgallery: Incontro con Angelo Starinari e gli altri clochard di Piazza Cadorna sul tema "Invisibilità e Tolleranza. La città vista e vissuta dai senzatetto", modera Manuela Gandini. (saletta Lab)
11.00
Artandgallery: “La casa di carta” laboratorio per bambini tenuto da Loredana Galante (spazio mostra)
14.30
Neon: convegno “L’arte pubblica è sostenibile?” (saletta Lab)
18.30
AmazeLab: concerto di musica libanese (atrio)
APERITIVO
21.30 concerto di Sinatti


incontemporanea.it
http://www.triennale.it/

Webby Award Winner

Webby Award Winner

- category NETART
The Dumpster http://www.tate.org.uk/netart/bvs/
Golan Levin / Tate Online / Whitney Artport
People's Voice Winner
Mono No Aware
http://www.mono-no-aware.org/
Giuseppe La Spada
Nominees
GeoGreeting
http://www.geoGreeting.com
Jesse Vig
Mono No Aware
http://www.mono-no-aware.org/
Giuseppe La Spada
The Dumpster
http://www.tate.org.uk/netart/bvs/
Golan Levin / Tate Online / Whitney Artport
We Feel Fine
http://www.wefeelfine.org
Milkman Dead Social Club
www.move-me.com http://www.move-me.com
goat media / Ricochet / Amberfly

see all
http://www.webbyawards.com/webbys/current.php?season=11

Bains numériques #2

APPEL A PROJETS INTERNATIONAL BAINS NUMÉRIQUES #2 PRIX DE LA CRÉATION Site de création contemporaine situé en région parisienne, le centre des arts d’Enghien-les-Bains programme du 19 au 26 octobre 2007 "Bains numériques #2", 2ème Biennale Internationale de la scène numérique d’Enghien-les-Bains, événement placé sous le haut-patronage du Ministère français de la Culture et de la Communication.
Cette nouvelle édition dédiée aux écritures scéniques liées au numérique, se décline en deux volets: un parcours numérique dans la ville, jalonné d’installations vidéo interactives, de mises en lumière et de performances et des rencontres professionnelles comportant des débats, ateliers, works in progress et spectacles.
La manifestation "Bains numériques #2" interrogera à nouveau les enjeux de l’hybridation entre arts de la scène et nouvelles technologies. Aussi, afin d'encourager l’émergence de ces nouvelles formes, le centre des arts organise, dans le cadre de cette biennale, un appel à projets visant à sélectionner des projets internationaux en phase de finalisation. Trois projets sélectionnés feront l'objet d'une présentation publique pendant les rencontres. Un seul de ces projets sera désigné comme lauréat et obtiendra un prix de la création.

http://www.cda95.fr
via http://www.artishoc.com/

see also http://arts-numeriques.net/

NYEAF

The New York Electronic Art Festival Presents New Installation Art

NYEAF's premiere event focuses on eight digital artists who explore the poetics of sound and image/light through electronic media

The premiere event from The New York Electronic Art Festival (NYEAF), a month-long series of exhibitions, concerts and workshops that celebrate cutting-edge work at the intersection between art and technology, will be installation art from eight digital artists who explore the poetics of sound and image/light through electronic media.
Audio/Visual: A New Generation of Installation Artists can be viewed Tuesday to Saturday, noon to 6 PM, May 12th through June 2nd at LMCC's Swing Space at 38 Park Row. The event is free.
.
"We're very pleased to offer some of the best work from a new generation of installation artists at our opening event," said Carol Parkinson, Harvestworks Executive Director. "The NYEAF, now in its first year, will offer the best work from New York City resident artists as well as the most exciting work from around the globe. Featuring artists from Trimpin to They Might Be Giants, the festival's events promise to draw a huge audience from a wide spectrum of music and art lovers."

For more information, visit
www.NYEAF.org.

Featured Artists: Karina Aguilera Skvirsky, Olen Hsu, Hisao Ihara, LoVid, Terry Nauheim, Rashaad Newsome, Phoenix Perry, and Douglas Repetto.

About the Artists and the works

Karina Aguilera Skvirsky's El Espectáculo is a three-channel video based on celebrity trials and daytime talk shows, An original soundtrack is synchronized with the movements of the mass media characters, suggesting a choreographed dance within the tableau. Karina Aguilera Skvirsky is a photographer and video artist who has exhibited internationally in group and solo shows. She has been an artist in residence at Harvestworks, Smack Mellon, the Lower Manhattan Cultural Council Workspace and the MacDowell Artist Colony.

Olen Hsu's sculpture and sound installation Drift (II) (2007) charts the prehistory of the digital network, situating itself in the era of the gramophone. Hsu's delicate apparatus emits a sound composition created with numerical oceanographic data of the past two hundred years. Olen Hsu constructs installations in porcelain, paper and algorithmically composed sound, converging new media, tactile forms, and acoustic musical instruments. Hsu holds degrees in music, art history, ceramics, and sculpture from Yale University, the Kansas City Art Institute, and The School of the Art Institute of Chicago.

Hisao Ihara's video installation The Collapsing Wall transforms a collection of documentary moving images of war from the beginning of 20th century to the present into a large, evocative, vertical projection space. Originally from Tokyo, Hisao Ihara currently lives in New York City. His work explores the intricate overlay of time and visual perception within immersive video environments. Ihara holds a BFA from the Cornish College of the Arts and an MFA from Alfred University.

Cross Current Resonance Transducer, a sculptural-graphic collaboration between LoVid (Tali Hinkis and Kyle Lapidus) and Douglas Repetto, addresses the processes of interpretation and evaluation inherent in human attempts to understand natural phenomena. LoVid is an interdisciplinary artist duo composed of Tali Hinkis and Kyle Lapidus. Their work includes live video installations, sculptures, digital prints, patchworks, media projects, performances, and video recordings. Douglas Irving Repetto's work includes sculpture, installation, performance, recordings, and software, and has been presented internationally. Douglas is also a teacher and Director of Research at the Columbia University Computer Music Center. He lives in New York City.

Terry Nauheim's Rotating is a multi-channel audio/single channel video installation built from recorded and processed sound fragments of hand-cast record negatives and their corresponding recorded drawings. Terry Nauheim explores sound and visual relationships through digital media, drawing, and installation. She has an MFA from the University of Maryland and a BFA from Washington University. Nauheim currently lives and works in New York, where she teaches computer arts at New York Institute of Technology and New York University.

Rashaad Newsome's The Conductor is a series of single-channel video projections. Rashaad uses processed video juxtaposing imagery associated with popular black youth culture and audio rooted in eurocentrism. A native of New Orleans where he received a BFA from Tulaine University, Rashaad Newsome studied film and video in New York where he currently lives. His work integrates photography, sound, performance, and video to explore and question prevailing media representations of black culture in North America.

Phoenix Perry's Honey is an interactive game exploring issues of survival and the environment. This powerful game demonstrates even the smallest creatures' vital importance to their ecosystem as they struggle to survive in a unique, fantasy-world. Phoenix Perry's creative media include, installation, video, live performance, sculpture, sound, and painting. Her works have been screened at Lincoln Center, NYC, the Santa Fe Art Institute, the Austin Museum of Digital Art, and the Yerba Buena Center for the Arts. She currently lives in Brooklyn, New York.

"Harvestworks brings together innovative practitioners from all branches of the digital arts and makes them available to artists, curators, and collectors."




About NYEAF

The New York Electronic Art Festival is produced by Harvestworks, the New York University Music Technology Program, and LEMUR: League of Electronic Musical Urban Robots, with support from New York University's Interactive Telecommunications Program, Eyebeam Art and Technology Center, the Columbia University Computer Music Center, Roulette, Electronic Music Foundation, 3LD Art and Technology Center, Lower Manhattan Cultural Council, and the Institute of Electronic Art. Additional support is from the National Endowment for the Arts, the New York State Council on the Arts, the Mary Flagler Cary Charitable Trust, mediaThe foundation, the Lower Manhattan Cultural Council's Swing Space @ 38 Park Row, the Experimental TV Center Presentation Program, Cycling 74, Tekserve and Newmark Knight Frank. Lower Manhattan Cultural Council's Swing Space.
NYEAF is a Harvestworks 30th Anniversary Event. A highlight of the festival is the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), now in its 7th year, convening for the first time in New York.

About Swing Space and Lower Manhattan Cultural Council (LMCC)

Lower Manhattan Cultural Council is the leading voice for arts and culture in downtown New York City, producing cultural events and promoting the arts through grants, services, advocacy, and cultural development programs. Lower Manhattan Cultural Council's Swing Space Program is made possible by the support of the September 11th Fund. Space generously donated by Time Equities.
www.lmcc.net/

AudioVisual: New Installation Art is made possible by Swing Space, a program of Lower Manhattan Cultural Council, generously supported by the September 11th Fund. Space donated by Silverstein Properties.

Cultura: la via dalle ICT alle UCT

Martedì 15 maggio ore 17:00 - 19:30
"Cultura: la via dalle ICT (Information and Communication Technologies) alle UCT (Universal Convergence Technologies)"

Incontro con Kim H. Veltman, Direttore Scientifico del VMMI, Virtual Maastricht McLuhan Institute

Negli anni Settanta ed Ottanta, la crescita dei Sistemi Geografici Territoriali (GIS) ha dato un forte contributo allo sviluppo delle ricostruzioni virtuali del mondo fisico. Negli anni Novanta questa tendenza si è estesa alla sfera culturale, partendo dai singoli edifici e monumenti, fino ad arrivare ad interi siti archeologici e città. Parallelalemente ci sono state altre tre linee di sviluppo: la mappatura, il riconoscimento e l'immersione.
La mappatura ora comporta una visione del progetto "Terra digitale", per mezzo del quale il mondo sarà disponibile in un modello in scala 1:1.
Le tecnologie di riconoscimento finora sono state usate più che altro per la sicurezza (terrorismo) e per il controllo (traffico), ma ora cresce l'interesse per la loro applicazione al campo della conoscenza e della cultura.
L'immersione comporta l'uso di sensori ed è parte di un trend più grande verso ciò che ITU ha definito "Internet delle cose".

La crescita dei "Radio Frequency Identification Tags" (tag di identificazione delle frequenze radio) (RFID) implica che questi sensori saranno "immersi" quasi dappertutto.
Nel corso degli anni Novanta la diffusione di Internet è stata vista come una tendenza verso le Information and Communication Technologies (ICT).

L'integrazione crescente fra i quattro trend (mappatura, ricostruzione, riconoscimento, ed immersione) significa che ci stiamo invece muovendo verso le UCT (Universal Convergence Technologies).
Nel corso dell'incontro vedremo quali sono le nuove tendenze delle tecnologie digitali, e quali implicazioni avranno sulla cultura.


info CINECA.IT