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50 anniversary summit of Artificial Intelligence

The discipline of Artificial Intelligence (AI) was born in the summer of 1956 at Dartmouth College in Hanover, New Hampshire. Half of a century has passed, and AI has come a long way since its inception. It has turned into an important field, whose influence on our daily lives can hardly be overestimated. Many specialized AI systems exist that are at work in our cars, in our laptop computers, and in our personal and commercial technologies. There is no doubt that the impact of AI on our lives in the future will become even more general and ubiquitous.


SPEAKERS / PANELISTS
Rudolf Bannasch - Prof., Technische Universitat Berlin // CTO, EvoLogics Title: "Morphological intelligence in bionic applications"
Aude Billard - Prof., EPF-Lausanne, Switzerland Title: "From HI to AI: Transmitting human skills and knowledge to robots"
Cynthia Breazeal - Prof., Media Arts and Sciences // Director, Robotic Life Group, MIT Media Lab Title: "Socially intelligent robots"
Rodney Brooks - Director, MIT Computer Science and Artificial Intelligence Lab // Panasonic Prof. of Robotics // CTO, iRobot Corporation Title: "AI: Where from and where to?"
Raja Chatila - Director, Robotics and Artificial Intelligence Group of LAAS-CNRS Title: "Cogniron: The cognitive robot companion"
Kerstin Dautenhahn - Prof., University of Hertfordshire, UK Title: "Why social intelligence matters in the design and development of intelligent robots"
Michael Dickinson - Zarem Prof. of Bioengineering and Prof. of Biology, California Institute of Technology Title: "The neural control of aerodynamics in fruit flies"
Rudiger Dillmann - Prof., University of Karlsruhe Title: "Emergent cognitive capabilities for humanoids: Robots learning senso-motor skills and task knowledge from multimodal observation of humans"
Ezequiel Di Paolo - Senior Lecturer in Evolutionary and Adaptive Systems, University of Sussex Panel: Modern AI: beyond 'cognition as computation'?
Rodney Douglas - Director of the Institute, and Prof. of Neuroinformatics, ETH Zurich // Visiting Prof., Computation and Neural Systems, California Institute of Technology Title: "Computations performed by collections of recurrently connected neurons and their implementation in hybrid VLSI electronic systems"
Dario Floreano - Prof., EPF-Lausanne, Switzerland Title: "Design principles for emergent cooperation and communication in robotic swarms"
Peter Fromherz - Director, Department of Membrane and Neurophysics, Max Planck Institute for Biochemistry // Prof., Experimental Biophysics, Technische Universitat Munchen Title: "Biophysical studies on brain-computer interfacing"
Luca Gambardella - Director, Istituto Dalle Molle di Studi sull'Intelligenza Artificiale Panel: Advertizing AI to the public and to companies - strategies and methods
Inman Harvey - Prof., University of Sussex Title: "Get a life"
Koh Hosoda - Prof., Osaka University Title: "Synergistic Intelligence: A cognitive developmental approach towards emergence of communication"
Akio Ishiguro - Prof., Tohoku University Title: "Mobiligence: The emergence of adaptive motor function through interaction among the body, brain, and environment"
Auke Ijspeert - Prof., EPF-Lausanne, Switzerland Title: "Adaptive locomotion in robots with multiple degrees of freedom"
Frederic Kaplan - Dr., Sony Computer Science Laboratory Paris Panel: Modern AI: beyond 'cognition as computation'?
Alois Knoll - Prof., Technische Universitat Munchen Panel: Funding AI research - large international projects? Alternatives?
Edgar Koerner - President, Honda Research Institute Europe Panel: Advertizing AI to the public and to companies - strategies and methods
Hod Lipson - Prof., Cornell University Title: "Curious and creative machines"
Colette Maloney - Dr., Head of Unit E5: Cognition - European Commission Panel: Funding AI research - large international projects? Alternatives?
Chrystopher Nehaniv - Prof., Univ. of Hertfordshire, UK Title: "Sensorimotor experience, information and development"
Nils Nilsson - Kumagai Prof. of Engineering, Emeritus, Stanford University Title: "Routes to the AI Summit"
Kevin O'Regan - Director, Experimental Psychology Laboratory of CNRSTitle: "Consciousness" Norman Packard - President, ProtoLife Title: "Artificial cell engineering as a computational problem"
Steve Potter - Prof., Georgia Inst. of Technology Panel: The new landscape of artificial intelligence - the impact of other research areas
Giulio Sandini , David Vernon and Giorgio Metta - Prof., University of Genova Prof., University of Genova Prof., University of Genova Title: "RobotCub - Sharing a body for the advancement of AI"
Andrew Schwartz - Prof., University of Pittsburgh Title: "Useful signals from motor cortex"
Roland Siegwart - Prof., Swiss Federal Institute of Technology, Zurich Title: "The rise of robots – machines sharing the environment with natural creatures"
Metin Sitti - Prof., Carnegie Mellon University Title: "Biologically inspired miniature robots"
Luc Steels - Director, Sony Computer Science Laboratory Paris // Prof., Free University of Brussel Title: "Artificial intelligence and the origins of symbolic culture"
Sebastian Thrun - Director, Stanford Artificial Intelligence Lab Title: "The future of driving"
Claes von Hofsten and Kerstin Rosander - Prof., Uppsala University, Sweden Dr., Uppsala University, Sweden Title: "The development of gaze control in human infants"
Alex Waibel - Prof., Carnegie Mellon University and University of Karlsruhe // Director, International Center for Advanced Communication Technologies Title: "Intelligent systems as mediators in human communication"
Adrianne Wortzel - Prof. of Communication Arts, New York City College of Technology // Adjunct Prof. of Mechanical Engineering, Cooper Union for the Advancement of Science and Art Title: "Archipelago.ch: The dynamic diorama"

http://www.ai50.org/

straycinema

Stray Cinema is an open source film. Here you are able to download and re-edit the raw footage from a film we have shot in London. This will provide people from all over the world with an opportunity to create their own version of the film. Stray Cinema will navigate the film experiment out of the online digital world, into the 'real world' with a screening of the top five films in London.
The footage shot in London is the first of many open source films to be provided by Stray Cinema

http://straycinema.com/

we love technology 2007

Thursday 12 July 2007
The Media Centre, Huddersfield, West Yorkshire
Compered by Matt Locke

Commissioning Editor
New Media and Education, Channel 4


Led by pioneering technologists and artists working in areas such as interactive architecture, sound and games, WLT07 presents the latest adventures in the creative use and misuse of technology.
WLT07 presents a range of informal presentations, workshops and performances. With a packed programme led by audio, interactive architecture and games pioneers, WLT07 offers an antidote to the conventional conference format.


http://blinkmedia.org/welovetechnology/

see last year edition

Synthetic Biology 3

Proceeding of Synthetic Biology 3 is now online !

http://www.syntheticbiology3.ethz.ch/extra/SBProceedings.pdf

... Any individual or organization is welcome to design, improve, and contribute BioBrick™ standard biological parts to the Registry.
For example, in the summer of 2007, over 600 students and instructors at 60+ universities around the world are making, sharing, and using BioBrick™ standard biological parts as part of the International Genetically Engineered Machine (iGEM) competition ...
link - http://www.biobricks.org/

via blogs.nature.com

VTTV

VTTV: LA WEB TV DELL'ACCADEMIA DI BELLE ARTI DI CARRARA
... Dopo tanto lavoro siamo lieti di annunciare l'inaugurazione del nuovo sitodi VTTV (Virtual Town TeleVision), Web TV della Scuola di Nuove Tecnologie dell'Arte dell'Accademia di Belle Arti di Carrara ...
http://www.vttv.it/

ESTATE A MILANO

ESTATE A MILANO

alcuni appuntamenti :

ESTATE MILANO
- ex paolo pini -
http://www.olinda.org - DA VICINO NESSUNO E' NORMALE -
- arena civica -
http://www.fourone.it/jazzin_07.htm - MILANO JAZZIN' FESTIVAL
- 7 piazze muovono la città - Movimento Centrifugo ESTERNI
http://www.esterni.org/progetti/centrifugo/programma.php

comune di Milano - eventi

vedi anche http://festivamente.blogspot.com/

Video Vortex

Call for Theory: Video Vortex
International ConferenceDate: 18-19 January, 2008 (new date!)
Location: POSTCS 11, Amsterdam
www.networkcultures.org/videovortex

la cospirazione


Workshop Cospirattivo

Sabato 14 & Domenica 15 Luglio 007.

@ Cascina Autogestita Torchiera Senz'acqua.
La cospirazione precaria non è una rete nè un’organizzazione, ma un’attitudine da costruire .
Da Settembre ad oggi passando per la May Day abbiamo sedimentato relazioni, creato rapporti di forza e rinnovato gli “attrezzi” del conflitto. Abbiamo fatto di flessibilità virtù, come il giunco che al vento non si spezza, siamo entrati nelle pieghe del mercato del lavoro e della creazione di valore, comprendendone e mutuandone in parte i processi di produzione, ed inventandone di nuovi. Si è affermato che precarizzare il precarizzatore oggi si può! Tirare le somme ed aggiungere i dati da utilizzare in un futuro prossimo, ecco il perché di una due giorni di lavori, riflessioni e visioni; per chi la cospirazione la vive per chi ne abbisogna, per chi ne è anche solamente interessat@. La nostra forza si basa sui talenti, le competenze e la passione che i precari sottraggono all'onnivoracità liberista: che costituiscono i reagenti naturali con cui produrre una nuova valorizzazione del conflitto e una nuova idea del sociale.

INPORT 2007

CALL FOR PROPOSALS: INPORT 2007 -
V International Video-Performance Art Festival
Performance artists all around the world are invited to send proposals for INPORT, International Video-Performance Art Festival, in Tallinn / Estonia on December 2007.INPORT would like to bring artists from all around the world closer to Estonian audience. This is non-profit Festival and unfortunately we got a very small budget so we can only show your video/videos on the singel screen. We can't offer artistic fees, accomondation or travel expenses.After Festival we make the on-line catalogue on the Festival web-site:<
http://www.inportfestival.tk>

strange culture

Lynn Hershman-Leeson


Robert Lawrence

Un Message Evidemment
Robert Lawrence, University of South Florida
“Un Message, Evidemment” is an ongoing performance and “open-source” Internet-enabled film. The performance actions are built around the making of a collaborative film. The film is a story about communication. The performance is a communication about story. UME is partially shot but not written... UME will be written through mobile phones, voice messages, sms’s, email, conversations… sounds produced by the participants of festivals, seminars, workshops and visitors to our web site:
http://www.unmessage.com. Anyone can use this web site to make their own UME. I don’t own it. UME is an invitation to a new way of making film.

Joseph Weizenbaum

ELIZA is a computer program by Joseph Weizenbaum, designed in 1966, which parodied a Rogerian therapist, largely by rephrasing many of the patient's statements as questions and posing them to the patient.

http://en.wikipedia.org/wiki/ELIZA

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REBEL AT WORK
Ein Film von Peter Haas, Silvia Holzinger, 80 min., GER/USA/AUT,2006

Im Nikolaiviertel, in einer kleinen Wohnung mit Blick auf das Marx-Engels-Forum und den Berliner Dom lebt Joseph Weizenbaum.
Der 83-jährige ist wieder in Berlin. Zurückgekehrt? So würde er es nicht nennen. Geboren im Berlin der 20er-Jahre wächst er in der jüdischen Bürgerschicht auf. Wohnung und Kürschnerei des Vaters sind auf einer Etage, die Familie wohnt am vornehmen Gendarmenmarkt, Joseph hat sein eigenes Kindermädchen. Ein einziger Persianermantel als Startkapital und die Familie verlässt Nazi-Deutschland für immer. An Bord des Schnelldampfers Bremen geht es 1936 nach New York, dann weiter nach Detroit, Michigan. Für den damals 13-jährigen Joseph ein abenteuerlicher Ausflug, für die Eltern eine einzige Überforderung. Ein Computer wird an der Universität gebraucht, also wird er gebaut, Joseph ist im Team. Er geht nach Kalifornien, als im Silicon Valley noch Obstbäume stehen. Es ist die Frühzeit des Computers: Noch gibt es keine Handbücher, man lötet, schraubt, macht Fehler und probiert von Neuem, jeder kennt jeden. Im Kalten Krieg spielt Geld keine Rolle. Mit jeder neuen Bedrohung müssen die Computer schneller werden. Für Joseph eine herrliche Zeit und der Beginn seiner wissenschaftlichen Karriere in den USA. Er wird Professor auf Lebenszeit am elitären Massachusetts Institute of Technology, dem MIT, als die Informatik gerade entsteht. Doch Joseph ist ein Rebell: In seinem Buch "COMPUTER POWER AND HUMAN REASON" greift er die eigenen Fachkollegen scharf an und kritisiert deren Allmachtsphantasien, den Militarismus und die vorherrschende Wissenschaftsgläubigkeit.Zum Dissidenten geworden, entscheidet er sich Anfang der Neunziger für die erneute Emigration. Seither füllt er mit seinen Gastvorträgen mühelos die Hörsäle: Er ist eine moralische Instanz, ein un-akademischer Mahner, ein origineller wie eindringlicher Kulturpessimist. Seine uneitlen Vorträge sind kleine Happenings, der Mann mit dem Schnauzbart und langem Haar wird beinahe zur Kultfigur. Nicht zuletzt, weil er so einfach über Computer sprechen kann, dass ihn jeder versteht. Berlin. Ein verschmitzter Geschichtenerzähler fügt unzählige Anekdoten, Erinnerungen und Einfälle zusammen zu einem Gemälde, das er sein Leben nennt.

http://www.ilmarefilm.org

Robot Aitu

Robot Aitu: An Attempt to make Wave Emissions of Mobile Phones Perceptible
Lucas Gross, HGK FHNW


Robot Aitu transforms high frequency waves emitted by mobile phones of nearby users into acoustical and visual effects. Depending on the intensity of the emissions, the robot triggers sonar-like sounds and a snowstorm of small styrofoam globules in a capsule. Aitu freely moves around using a simple technology of sensors which makes it turn once it «collides» with an object. The project mainly focuses on detecting and exposing the existence of wave emissions by mobile phones. Visitors can use their own mobile phones to activate and intensify the effects by dialing a number of their choice. Robot Aitu, in essence, makes invisible things visible.

robot aitu pdf on http://www.idk.ch/news/?p=484

Fragen und Blumen

«Fragen & Blumen» heisst die Retrospektive von Peter Fischli (*1952) und David Weiss (*1946), die seit 1979 zusammenarbeiten, und seither wesentlich das internationale Renommee der zeitgenössischen Schweizer Kunst geprägt haben. Diese Ausstellung bietet den bisher umfassendsten Überblick über das so vielfältige wie hintergründige Werk, das Skulpturen, Fotografien, Filme und Videos einschliesst und sich einfacher Klassifizierung entzieht.

kunsthaus.ch/

audio Tagger

Audio Tagger will be presented at Digital Art Weeks Zürich 10-14 July

audioTagger by Eva Sjuve is a mobile-phone-sound-art-in-urban-space research project,or can be defined as, wireless phonography ("mobile sound writing").
audioTagger is a momentary exploration of urban space, to capture asonic moment using mobile technology.
Anybody with a data enabled mobile phone can participate and contributeto AudioTagger's exploration of the environment, using the mobile phoneas a field recorder, "phonographic tool", ubiquitous and artistic.
The mobile phone is used in this application, being the most ubiquitoustool at present, within wireless architecture; creating a seamlesscomputing environment with the Internet.

Today, the physical world, and the digital world have an establishedconnection.
audioTagger is a tool to explore the relation betweenphysical space and its everyday presence, and its integrations intomobile space. Urban space is here viewed both as a communicationplatform and the subject for exploration.
What does this mobility meanto the aesthetic expression, when making a field recording?
The location of the field-recording can be viewed and the sound listened to, on a Google map
If anybody out there want their location on the audioTaggermap, just shout