weblogart@yahoo.com


 

extreme events

"" There is an epoch-making quality of common historic thread, which ties together recent events typical of New York's and London's financial center, with both the Jokela High School massacre, and the very ugly death of a young English woman, in Perugia, Italy. All three of these and comparable signs of these, our present times, mark these reported events as sharing the characteristic of the events which a judge in Perugia reported, as driven by an ostensibly uncontrollable yearning for an "extreme" quality of existentialist experience, by at least some among the surviving participants. These are experiences which, when combined, might be described as a kind of dionysian event expressing some particularly worrying characteristics of our presently onrushing, global "new dark age." All three of these, and many other, related kinds of extreme events, are, like Rupert Murdoch's MySpace and Microsoft's Facebook, or Microsoft's and others' killer computer games, all to be combined as signs typical of our wicked and deadly present times.""

http://www.larouchepub.com/lar/2007/3446extreme_events.html

via "Lebt ihr in Mailand oder in MySpace?" ?
http://www.solidaritaet.com/neuesol/2007/48/italien.htm

stati emotivi



a cura di Franziska Nori e Martin Steinhoff

30 novembre 2007 – 3 febbraio 2008


Felicità, tristezza, emozione?
Sistemi Emotivi invita a riconsiderare il rapporto tra artisti contemporanei, opera d’arte, e spettatore, alla luce delle ultime scoperte neuroscientifiche sul cervello umano e sulla sfera delle emozioni umane. Nel percorso espositivo ogni artista ha a disposizione una sala in cui presentare la propria opera. Gli artisti selezionati agiscono secondo diversi principi e attraverso differenti media, che in comune possiedono l’intenzione di offrire una comprensione cognitiva delle opere, che passi attraverso il significato dell’esperienza emotiva ed empatica del visitatore.


Gli artisti sono: Bill Viola (USA), William Kentridge (Sud Africa), Yves Netzhammer (Svizzera), Katharina Grosse (Germania), Christian Nold (Inghilterra), Maurice Benayoun (Francia), Teresa Margolles (Messico) Andrea Ferrara alias Ongakuaw (Italia) e i poeti Elisa Biagini, Antonella Anedda e Valerio Magrelli






vBrooklyn

vBrooklyn - A video festival about Brooklyn as a place and video as an art form

Video Screenings
Elle Burchill - 'Wonder Lust'
Chris Jordan (with musician Ezekiel Honig) - 'Peach Dither Alias'
Nadia Lesy & Kevin Freeman, Esther Bell - 'Blue Sky and Mad Hipster Baseball Dance'
mpld & Criterion - 'B'way (excerpt from La Ciudad)'
http://www.m-i-c-r-o.net/mpld http://www.broklynbeats.net
Jeremy Slater - 'WILLIAMSBURG < > D.U.M.B.O.'
http://www.parenthesismedia.com
vydavy sindikat - 'Commuter's Dreams'


Video Performances
dual-blur - 'b-blur'
David Linton: The Bicameral Research Sound & Projection System - 'Bad Vibes in Brooklyn: The French Connection 4X RGB Bicameral Remix'

Video Installations
Bettina Johae - 'bedford avenue - brooklyn - ny'

Organizational and Technical Support
Holly Daggers and Eric Dunlap of Forward Motion Theater
http://www.forwardmotiontheater.org


Invisible miracles

INVISIBLE MIRACLES

dal comunicato :

Mostra collettiva degli allievi del XIII Corso Superiore di Arti Visive della Fondazione Antonio Ratti con Joan Jonas
a cura di Anna Daneri e Roberto Pinto
dal 29 novembre al 22 dicembre 2007

La mostra collettiva Invisible Miracles è il risultato visibile del Corso Superiore di Arti Visive della FAR - diretto da Annie Ratti - tenuto quest’estate a Como da Joan Jonas, artista statunitense nota per le sue performances e per le sperimentazioni nell’ambito del video, delle installazioni e del disegno.

L’esposizione, a cura di Anna Daneri e Roberto Pinto, ha il patrocinio dell’Assessorato allo Sport e al Tempo libero di Milano ed è realizzata in collaborazione con le associazioni Careof, Viafarini e neon>fdv ed il sostegno di Artegiovane, Milano.

Invisible Miracles raccoglie venti opere realizzate appositamente per l’occasione dagli artisti Michele Bazzana (I), Jacopo Candotti (I), Martina Della Valle (I), Line Ellegaard (Danimarca), Alicia Frankovich (Australia/Nuova Zelanda), Daniele Genadry (Libano), Yuki Higashino (Giappone), Invernomuto (I), Jamie Macchiusi (Australia), Jacopo Miliani (I), Primoz Novak & Nika Oblak (Slovenia), Helena O'Connor (Irlanda), Luigi Presicce (I), Moira Ricci (I), Anna Rispoli (I), Shoggoth (I), Ryan Siegan Smith (GB), Alberto Tadiello (I), Johanna Torkkola (Svezia).

La mostra è allestita in quattro diverse sedi espositive: la Fabbrica del Vapore del Comune di Milano, neon>fdv, una delle gallerie italiane di ricerca piu’ interessanti, Careof e Viafarini, i due spazi non profit milanesi con i quali la FAR ha avviato una collaborazione decennale, dalla prima mostra dello CSAV nel 1997, e di cui condivide le finalità di promozione della giovane arte italiana (documentata in www.portfolioonline.it).

Durante l’inaugurazione tre delle opere esposte saranno premiate con il Premio Epson FAR per la ricerca artistica, che verrà assegnato da una giuria composta da Carla Conca, Business Manager Videoproiettori di Epson Italia, da James Lingwood (membro del comitato scientifico della FAR e direttore di Artangel, Londra) e da Adam Budak (curatore del Kunsthaus di Graz, Austria e di Manifesta 2008, Bolzano).
Il Premio, giunto alla seconda edizione, è stato istituito grazie al contributo di Epson Italia, che ha scelto di sostenere i giovani artisti partecipanti premiando le opere di maggiore interesse sotto il profilo della sperimentazione visiva.

http://www.fabbricadelvapore.org



Soft Machines and the Cinematographic Imaginary

Soft Machines and the Cinematographic Imaginary.

Nowe media i film
International conference within the confines of the
15th International Film Festival of the Art of Cinematography Plus Camerimage
November, 30th 2007, The Grand Theatre Łódź, 12:00–18:00


Beginning in the last decades of the 20th century, the increasing expansion of multimedia has made the digital synthesis of image, interactivity, non-linearity and intermediality not only ephemeral practices of contemporary art, but also prevalent and established characteristics of popular culture. These are also expectations and demands towards a contemporary cinematic work resulting in the creative processes, models of production, distribution and perception of a film art gradually moving away from traditional forms.Do the contemporary experiments with digital techniques have a chance to invariably permeate the tools of film creators? How does the Internet change the appearance of film distribution? What influence will the narrative structures of interactive computer games have on the classic cinematic storytelling? Which of the ever-increasing repertoire of possibilities and promises of the digital media are liable to transform cinema as profoundly as did the expansion of video in the 80s?


http://wrocenter.pl/en/softmachines_en

UNTITLED

UNTITLED

On antithesis to the usual and numerous exhibitions determinated by "container" titles, the group show presented by Galleria Raffaella Cortese wants just to invite the public to pay attention to the works offering time and space to a pure contemplation of them. Four large scale works, four international artists, no one particular link between them, nor common issue, simply the observers¹ silent in front of the powerful subject exhibited.

Kcho (Cuba, 1970), Columna Infinita IV revises and interprets Brancusi¹s issue: the ³soft² steel blocks are translated by Kcho into a pile of cumbersome inner tubes retained by ropes. These black rings no longer able to reach the sky because prisoned from the roof. The artist uses poor and provisional materials that correspond to the unbalance feeling and to the utopical idea of freedom.

Juliao Sarmento (Lisbon, 1948). Dentro is a figure of a woman without a head, without a face, standing on a wooden platform wearing a simple black dress. It¹s a recurrent presence in the production of the portuguese artist. The artist pays attention on the archetypal image of a woman propagated by Western Culture in its media who results a disembodied and abstract image.

Kiki Smith (Nuremberg, 1954), born in Germany but based in New York, best known as artist of the fairy tales, shows Southern Hemisphere Constellation, a large scale work, that well represents the artist¹s passion for natural and celestial elements.

Jana Sterbak (Praga, 1955), through Bread bed, offers us an important meeting with her main artistic issues: the daily and domestic object and its organic and perishable properties. The bed, one of the most important ³object-place² where many of our daily activities take place, is realized with a steel base and a mattress made from bread, the most famous food per excellence.

fino al ­30 January 2008
Galleria Raffaella Cortese