upload video

video upload

- fliqz.com/
- teletuto.fr
- dropshots.com /
- grindtv.com/upload /
- clipmoon.com /
- clipland.com/Live /
- clipfish.de
- clip-flip.de /
- viddler.com /
- heyspread.com /
- esnips.com /
- video-kollektiv.de/
- upload.sc /
- livevideo.com /
- tventy.de
- uprom.tv
- bigside.de
- jmomo.com /
- motionbox.com /
- shozu.com/portal / from mobile
- whooshcam.com/
- lustich.de /
- zshare.net /
- videobloom.com /
- 5min.com /
- my5minutes.com /
- upload.gannett-tv.com /
- meme.ro/cauta/upload+video /
- kovideo.net /
- perfspot.com
- blabbermash.com /
- tv.mofile.com youtube cinese
- selfcasttv.com
- panjea.com /
- heavy.com /
- wideo.fr/
- kewego.it /
- break.com/
- wrzuta.pl/
- rutube.ru/
- dumpalink.com/
- belarus-live.tv/
- tube.by/
- bubblare.se
- cliphost24.com /
- scivee.tv / youtube for science
- coull.tv / special for musician
- tonclip.com humor video
- fquick.com/videos - about cars
- tontuyau.com/ - video au Québec
- pikniktube.com/ - Türkiyen
- ar.araclip.net/
- tu.tv/ - Espana
- elaftertv.com/videos/
- chile.tv/
- video.neogen.ro/
- snowvision.com
- fugly.com/
- flixya.com/
- mojvideo.com/
- vzaar.com/ marketing esposizione prodotti
- totallycrap.com/
- azoocamail.com / per video mail
- votethevideo.com /
- videojug.com/
- podomatic.com/ lista
- caught-on-video.com/
- newsimply.blogspot.com / lista anche di tv
online paintball videos and movies darksidevideo.org /
- ilovevideoz.com / toolbar bookmarks for video webites vidmirror.com /
- vidmetrix.com upload to multiple video hosting services
- http://savevideo.ru/
- youmaker.com
- megavideo.com
- genspot.com/
- vertiente.org
- dalealplay.com/
- vago.tv/
- yatv.com/
- vxv.com/
- livevideowatch.com
- videosear.ch/ video search

see more on video online and streaming video

upload a video question for Citrix Summit 08.citrixsummit.com /

http://www.slideshare.net/dswaters/podcasting-in-vet-video-podcasting /
see http://www.slideshare.net/Altogether/viral-marketing-with-video-smx-london-2007 and http://www.slideshare.net/dswaters/podcasting-in-vet-video-podcasting /

Ooyala Backlot is a video management platform that gives you control over the delivery, organization, analytics, and monetization of your online videos. http://www.ooyala.com/backlot /

-- Mettere i propri video online non e' sempre sicuro, esistono alcuni siti che permettono ad esempio, di downlodare i video da youtube e altri.
keepvid.com
http://www.videodl.org/
vixy.net/flv_converter
e anche software scaricabili gratuitamente come video downloader

-- Oppure puo' succedere come su eefoof.com , che ha attirato molto l'attenzione su di se', grazie alla novita', che permetteva agli utenti di caricare foto e file flash e ricevere dei compensi per le visite ricevute (eefoof steal youtube video - get paid), poi il sito e' stato chiuso e tutto il materiale caricato cancellato senza preavviso. Credo che l'autore di efoof abbia poi creato http://newteevee.com/

more information about online video
see videoblogging 1, videoblogging 2,
Internet TV, Internet TV2 and user generated content

search engine

Shifting Shifting

AERNOUT MIK Shifting Shifting
Opening: Friday, December 7, 2007, 8 p.m.

In the exhibition Shifting Shifting, the Kunstverein Hannover will show central works created over the past two years by Aernout Mik for the first time in Germany: Scapegoats, Raw Footage, Training Ground and Vacuum Room.

In conjunction with Park (2002), the galleries of the Kunstverein will be transformed into a labyrinthal succession of rooms in which the projection screens that are flush with the floor not only convincingly link the moving image to the surrounding space but also directly integrate the viewer into the scope of the works.

The Dutch artist who was born in 1962 in Groningen received the Prize of the Kunstverein Hannover in 1993 and had a Villa Minimo stipend. After the success of his pieces Reversal Room, Glutinosity and Middlemen (all 2001) at the latest, he is among the most important video artists of his generation. With Citizens and Subjects he represented the Netherlands at this year’s Venice Biennale.(view on this blog)

In his elaborately constructed films staged with amateur performers Mik examines the relationship of individual and collective behavior at the moment in which the social order falls apart. The new seemingly documentary videos bring political events to mind without, however, referring to a specific crisis situation. The revocation of the principle of action and reaction as well as a linear development make the performers’ acts appear meaningless as well as aimless and eschew usual expectations. The roaming camera eye devotes the same amount of attention to relevant as well as incidental occurrences. The use of a loop transforms the stagings into hopeless and endless circles in which the role allocation between victim and perpetrator ceaselessly alternates. The lack of sound creates a nightmarish calm and makes the events seem incomplete.

In Vacuum Room (2005), a political meeting is disturbed by the arrival of a group of young rebels. The initially unspectacular coming together is transferred into a surreal unsettling occurrence by means of the bizarre repetitions of the tumultuous situation.

In Scapegoats (2006), soldiers guard prisoners in a former stadium and are in turn observed by civilians. There is neither a meaningful interaction between those persons present nor does their body language indicate a reduction or a cooling off of the conflicts. It therefore appears even more drastic when children stick the muzzles of their machine guns into the backs of the adults as a matter of course.

Training Ground, 2006 2-Kanal-Videoinstallation

Rückprojektionsleinwände, Ausstellungsarchitektur
Courtesy carlier I gebauer, Berlin und The Project, New York
Sammlung Dennis & Debra Scholl
© Aernout Mik Fotograf: Florian Braun

Training Ground (2006) shows a simulated exercise in which policemen train the tactics for capturing fugitives. It remains unclear if they are acting within the confines of the law or if they are becoming the real aggressors themselves. The irritation is intensified by the fact that the persons of authority are overcome with fits of crying and remain frozen in autistic poses while the fugitives march about with wooden weapons.

In Raw Footage (2006) Mik used for the first time archive material purchased from news channels taken during the Balkan war in former Yugoslavia and which are now being shown for the first time. The brutality of the war is not only mirrored in spectacular scenes but also in its absurd banality. Because the image of the war in Raw Footage resembles Mik’s staged works and these in turn seem much more authentic than the reality transmitted by the media, the question regarding the relationship between authenticity and fiction as well regarding the plausible distinction criteria is disturbingly posed.

http://www.kunstverein-hannover.de/

into it

dal comunicato stampa

"Die Ausstellung »into it« beschäftigt sich – auch vor dem Hintergrund eines Rückgriffs vieler zeitgenössischer KünstlerInnen auf Konzepte der Moderne – mit der aktuellen Bedeutung von Intuition in der Kunst. Den Ausgangspunkt bildet die Auffassung, dass Intuition heute nicht mehr als ein unabhängiges, rein subjektives, selbstreflexives, metaphysisches Erkennen verstanden werden kann, sondern sich immer auf der Basis rationaler Konzepte und Wissen vollzieht. "

Straub, Vorletzte Szene Holz, Aluminium, Wollmütze; 2006
see current exhibition "„Skeptizismus“ at tinderbox-art

"Teilnehmende Künstlerinnen und Künstler: Michael Beutler, Christoph Girardet & Volker Schreiner, Simon Dybbroe Møller, Miltos Manetas, Marcellvs L., Falke Pisano, Ana Roldán, T. A. Straub"

Ana Roldán, Reaktion ist eher von der augenblickliche Gegebenheit bestimmt,
als von dem eigenen Talent, 2007
Installation, Papier und AluminumCourtesy: Galerie Annex 14

http://www.kunstverein-hildesheim.de/

GEHEN BLEIBEN

KUNSTMUSEUM BONN

GEHEN BLEIBEN
Bewegung, Körper, Ort in der Kunst der Gegenwart
Ausstellung vom 28. November 2007 – 17. Februar 2008

Rachel Whiteread Double-Doors II (A+B), 2006/2007 (Doppel-Türen II (A+B))
Plastifizierter Gips mit inwendigem Aluminiumgerüst, zwei Paneele Plasticised plaster with interior aluminium framework, two panels
Courtesy Rachel Whiteread und/and Gagosian Gallery

Der Mensch ist in der Bewegung,, er geht um zu gehen, aber auch, um einen Ort zu finden, er bricht auf, um nicht bleiben zu müssen, er möchte bleiben, um nicht in die Fremdheit zu fallen, er entscheidet sich für ein Unterwegssein ohne Ziel und will doch ankommen. Der Mensch geht aus vielfältigen Gründen, er ist Entdecker, Forscher, Eroberer, er ist Siedler, Pilger, Missionar, schließlich Tourist, er geht, um die Welt zu verstehen, zu vermessen, zu besitzen, zu verändern, zu genießen. Er geht in der Hoffnung auf Einsicht, Verwandlung, Zukunft, aus Gier, Verzweiflung, Lust, er weicht der Gewalt, er wird vertrieben.

In allen Kulturen und Religionen spielen die Bilder von Aufbruch, Unterwegssein, Rückkehr eine wichtige Rolle. Auch unser Leben ist von der Sehnsucht bestimmt, einfach loszugehen, der Sehnsucht nach Ferne, und zugleich wünschen wir uns die Sicherheit, heimkommen zu können, eine Bleibe zu haben.

Kateřina Vincourová Bag, 1999(Tasche)
PVC Ventilator, polyvinyl sheet, airPVC Ventilator, Polyvinyl-Bogen, Luft 200 x 220 x 90 cm Jiri Svestka Gallery, Prague

Die Ausstellung gehen bleiben im Kunstmuseum Bonn umfasst über 80 Installationen, Objekte, Videos, Dokumentationen von Performances, Wandbilder, Fotos, Zeichnungen von 37 internationalen Künstlerinnen und Künstlern aus den sechziger Jahren bis heute, die von der Bewegung sprechen und von Orten, an denen die Bewegung anhält.

Es erscheint ein Katalog mit Abbildungen der ausgestellten Werke und Texten der beteiligten Künstler und Künstlerinnen: Marina Abramovic/Ulay, Absalon, Pilar Albarracín, Helena Almeida, Darren Almond, Ulf Aminde, Janine Antoni, Samuel Beckett, Joseph Beuys, David Claerbout, Willie Doherty, Olafur Eliasson, Hamish Fulton, Regina Josè Galindo, Mona Hatoum, William Kentridge, Krištof Kintera, Sigalit Landau, Richard Long, Kris Martin, Bruce Nauman, Astrid Nippoldt, Julia Oschatz, Tony Oursler, Paul Ramírez Jonas, Pipilotti Rist, Michal Rovner, Seifollah Samadian, Kimsooja, Nancy Spero, Jan Verbeek, Bill Viola, Katerina Vincourová, Franz Erhard Walther, Rachel Whiteread, Andrea Zittel.


Kurator: Volker Adolphs

www.kunstmuseum-bonn.de

SIGNAL

SIGNAL è un festival internazionale che miscela performance, sound art contemporanea, concerti.
SIGNAL è musica d'avanguardia, sperimentazione, improvvisazione, elettronica.
SIGNAL ha uno sguardo trasversale sulle ricerche in campo visivo e live media.
2 eventi pre-festival e un calendario di concerti unici. Musicisti e artisti di esperienza internazionale si incontrano a Cagliari per dare vita a una proposta inedita nel territorio, attraverso i progetti, il confronto, la collaborazione.

http://www.signal-festival.org/

Ceci N'est Pas Une Bombe

A Toronto , Thorarinn Ingi Jonsson, 25 anni, studente all' Ontario college of Art deve affrontare conseguenze penali a causa di una bomba - scultura che ha costretto la polizia ad evacuare il Royal Ontario Museum (foto) durante un ricevimento del Canadian Foundation for AIDS.

"Jonsson said the entire episode was a conceptual art piece, including a plastic, wood and glass sculpture and a video." su cbc.ca

video on youtube - Fake footage of the fake bombing at the Royal Ontario Museum capturing the fake moment of impact

more news

• Arrest made in ROM bomb scare insideTORONTO.com, Canada
• Student's fake-bomb 'sculpture' prompts evacuation of AIDS galaUSA Today
• Royal Ontario Museum "Bomb" Was Student Art Project ARTINFO, NY -
• Art student charged in museum bomb hoax CTV.ca, Canada -
• Art student arrested for ROM bomb hoax 680 News, Canada -
• Art project connected to bomb hoax 680 News, Canada -
• Downtown Toronto Cleared Due to Icelandic “Bomb” IcelandReview, Iceland
• ROM bomb 'a misguided art project' Globe and Mail, Canada -
• Nothing amusing about video prank by art student Toronto Sun, Canada
• Toronto bomb scare was 'art' Canoe.ca (subscription), Canada -
• Student artist faces charges over fake bomb `sculpture'Toronto Star, Canada
• Wanted Art Student Turns Himself In To Police CityNews, Canada
• Fake bomb at ROM part of OCAD student's project National Post, Canada
• Phew. Boston Isn't the Only Fraidy-Cat City Out There! Bostonist, MA
• Ceci N'est Pas Un Bombe Toronoist, Canada
• Bomb hoax at Royal Ontario Museum Mens news daily

Eurostar London Coming

http://www.myspace.com/eurostarlondoncoming
http://www.onowa.com/

Festival Architettura

Da oggi è consultabile qui il bando di concorso relativo al Corso Accelerato di Paesaggio che si terrà nel 2008 all'interno della quarta edizione del FestivalArchitettura presso il Teatro della Cavallerizza di Reggio Emilia.


Tra i numerosi eventi del festival sono previsti le presentazioni delle ricerche Il Paesaggio del Progetto Urbano, Garatti-Gottardi-Porro e Geo(foto)grafia del Paesaggio, e gli interventi degli ospiti divisi tra conferenze, seminari e tavole rotonde. Parteciperanno a Reggio Emilia, tra gli altri, Roland Guenter, Alessandro Petti, Giovanni Brizzi, Gilles Clement, Joao Nunes, Andrea Emiliani...