weblogart@yahoo.com


 

SeeqPod Playable Search -

SeeqPod Playable Search -
Find. Discover. Watch. Listen. Share.

SeeqPod is the home for playable search results. The SeeqPod (pronounced 'seek-pod') algorithim emulates the human brain, the best search and discovery engine on Earth. SeeqPod's vertically targeted crawlers crawl the deepest parts of the web to enable Internet-wide search and discovery of anything that can be linked to, and then played or shared with friends. SeeqPod understands that in the near future most search results will need to be played in one form or another.

SeeqPod Music is a music search, recommendation and discovery engine that vertically targets content using smart directed crawling systems. These results are ready for indexing, and can instantly be played. Born out of Lawrence Berkeley National Laboratory (LBNL), SeeqPod Inc. was founded by Kasian Franks, Raf Podowski and Shekhar Lodha in 2005 and is headquartered in Emeryville, California. For more information visit: www.seeqpod.com.

Berkeley Lab is a Department of Energy national laboratory located in Berkeley, California. It conducts unclassified scientific research and is managed by the University of California. Visit our website at www.lbl.gov.

sony style - vaio FX


User, Hacker, Builder, Thief

Berkman Center Luncheon Series
Guest: Beth Kolko, Berkman Fellow
Topic: “User, Hacker, Builder, Thief: Creativity and Consumerism in a Digital Age”

Tuesday, January 29, 12:30 pm
Berkman Center Conference Room
23 Everett St., 2nd Floor, Cambridge MA

“User, Hacker, Builder, Thief: Creativity and Consumerism in a Digital Age

The not very slow but definitely steady flow of computer technology into far corners of everyday life has changed fundamental cultural processes and affected how people work, learn, and play. It’s also provided lots of cool stuff to buy. But by some measures there has also been a somewhat fundamental failure of imagination in envisioning what hardware, software and services can look like which has resulted in users from outside targeted demographics adapting technology in unexpected and creative ways. One might argue that such examples of adaptation could serve as potentially valuable illustrations of what technology that is relevant across contexts could look like, if only users were seen as more than consumers – perhaps, also, as citizens.

This talk is about diversity of design, the cult of expertise, and why hackers are the good guys. It’s also about how people use technology in Cambodia and Kyrgyzstan, what user generated content looked like before PCs, and why EULAs fundamentally threaten innovation. Essentially, this talk lays out the argument that theories of subjectivity and axe grinders can be part of the same conversation, and that encouraging users to become hackers, builders, and thieves may be the best way to ensure creative and diverse design.

"Beth Kolko is an Associate Professor in the Department of Technical Communication at the University of Washington. She was previously a professor of English at the University of Wyoming and the University of Texas at Arlington."

Her current research further develops the idea of diversity and technology by focusing on Internet development in Central Asia. Currently funded by the National Science Foundation, the Central Asian Information and Communications Technology project (http://depts.washington.edu/caict) applies theory-based analyses of culture and technology in order to concretely investigate how technology is being used in diverse communities and how such technologies change the cultures in which they adopted. The current phase of the project includes qualitative and quantitative longitudinal studies in the five Central Asian republics (Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, Uzbekistan). See the project website for more information.

In addition to her work on ICT and development, Kolko also leads a research group on digital games. This group is currently working in two areas: (1) cross-cultural investigations of multiplayer games, and (2) research on gender and educational games. For more information, see the project website.

WEBCAST

This event will be webcast live. Webcast viewers can join the discussion through IRC text chat or in the virtual world Second Life. For information about our event webcasts and remote participation, see http://cyber.law.harvard.edu/home/webcast. If you miss the live chat, catch the podcast audio & video at MediaBerkman, at http://blogs.law.harvard.edu/mediaberkman.


Making Your Media Matter Conference

News: Feb. 7-8: 2008
Making Your Media Matter Conference, Washington D.C.

Feb. 7-8: 2008 Making Your Media Matter Conference, Washington D.C.

Making Your Media Matter is a conference for established and aspiring filmmakers, non-profit communications leaders, funders and students looking to learn and share cutting-edge practices for creating media that matters.

Join filmmakers, distributors, outreach specialists and an impressive cast of media pioneers for a series of panel discussions on the latest tools and trends in creating and distributing social issue media.

Space is limited, so register now to attend. Registration includes a free copy of Documentary Film: A Very Short Introduction by Pat Aufderheide!

Summary of Events:

Feb. 7-8, 2008, Katzen Arts Center Recital Hall, American University's Center for Social Media

Thursday, February 7

Games for Social Change: How games and video are playing well together
How are online games mobilizing audiences around social issues? This panel will explore how video games can double as tools for conflict resolution, and maybe even save the environment!

Kick-off Reception.
Join us for an evening of food, drink and fun!

Friday, February 8

Plight Entertainment
Sometimes the most uncomfortable stories are the most important ones to tell. What's the process for pitching and telling stories that don’t have Hollywood endings? Then what?

Keynote Address: Byron Hurt and Sonya Childress
Hip-Hop: Beyond Beats and Rhymes is a film that deftly explores issues of manhood, misogyny, violence and creativity in hip-hop. Join filmmaker Byron Hurt and community outreach campaign strategist Sonya Childress as they continue to inspire and engage!

Crossing Cultural Boundaries
How are filmmakers and organizations using media to promote intercultural understanding? Amazing stories of media projects as agents of change in areas traditionally wrought with conflict.

Short Shorts and Hot Platforms: Emerging Formats and Distribution Strategies
This panel features some of the most progressive practitioners on the public media landscape, frankly discussing what worked...and what didn't.

Issues Media, Digital Media, Fair Representation, Media Literacy
Homepage www.centerforsocialmedia.org

'Spam 2.0.'

Spammers cloak scams by redirecting through Google services:

"Spammers are using thousands of Google accounts to camouflage their scams from antispam filters, a security researcher said today. He dubbed the practice 'Spam 2.0.'"

more on temerc.com
and darkreading.com

Vertigo, by Daan Brinkmann

Vertigo, by Daan Brinkmann

Opening Friday, February 8, 5:00 p.m.
February 9 – 15

Daan Brinkmann, winner of the 2006 René Coelho Prize, shows his latest work, 'Vertigo', from February 8 – 15.
The prize, which is named for René Coelho, founder and former director of the Institute, was awarded in November, 2006, to the artist who, in addition to the best graduation project, had also presented the most promising proposal for new work.
Daan Brinkmann, a graduate of the KABK, sculpture and sound at the Conservatory, The Hague, won the prize with his interactive light and sound sculpture '16 Pillars'. He is now showing his latest work, 'Vertigo'. http://www.daanbrinkmann.nl

Open Tuesday through Saturday from 1:00 to 6:00 p.m.
Free admission

The René Coelho Prize is Powered by Beamsystems
http://www.beamsystems.nl

PROGRAM NETHERLANDS MEDIA ART INSTITUTE
http://www.nimk.nl/

Bruce Nauman

The Philadelphia Museum of Art is pleased to announce the selection of Bruce Nauman (b. 1941) as the artist to represent the United States at the 2009 Venice Biennale.

The State Department’s Bureau of Educational and Cultural Affairs selected Nauman following the unanimous recommendation of the Federal Advisory Committee on International Exhibitions (FACIE) that reviewed proposals received through an open competition.
Carlos Basualdo, Curator of Contemporary Art, and Michael Taylor, the Muriel and Philip Berman Curator of Modern Art, will serve as the U.S. Commissioners and will organize the exhibition from the Philadelphia Museum of Art.

Bruce Nauman to Represent the U.S. at the 2009 Venice Biennale
"Bruce Nauman, master of the intimating non sequitur, will be
making waves for gondoliers at the 2009 Venice Biennale ." on blog.seattlepi - art


GAMEoverTAKEoverOVER

GAMEoverTAKEoverOVER

19:00 - 22:00 1st February 2008 Berlin

MOVING FOREST of the PEOPLE'S FRONT call for Autonomous Noise Transmitting Units to conspire an INSURGENCY ACT

*** Spiderradio***microradio***macrofm***mikrofm**mini-fm ***pirate radio ***silent radio***polymorphous radio*** idling noise ***unit transmission*** boombox mass*** loudspeaker ***mobile transmitting device*** autonomous antenna maintainer**

The walls are blasted. The data are mined. The phones are tapped. The lives of others. We listen through walls. The cities of others. We walk through walls.

SCAN and SCHEME.
Join mobile radio party!

On 19:00 1st February 2008
***Go to JVA Moabit (Alt Moabit -+- PaulStr 10559 Berlin)*** proceed to ***Moltke Bridge*** proceed to*** Das Haus der Kulturen der Welt (HKW)***

GAMEover
TAKEover

OVER

Moving Forest, a 12 hour 5 act sonic performance with AKA the CASTLE.
http://www.movingforest.net

OVER

CONSPIRE, Transmediale08, Das Haus der Kulturen der Welt , Berlin.
http://www.transmediale.de

FUTURO DO PRESENTE

FUTURO DO PRESENTE
http://www.itaucultural.org.br

Sob a curadoria de Agnaldo Farias e Cristiana Tejo, a exposição Futuro do Presente apresenta obras de 17 artistas que abordam as novas formas de relação entre arte e vida.

DiABlu Project

DiABlu Project

"The DiABlu Project started out as a simple tool to detect Bluetooth devices and communicate via OSC with other applications that could not do this in a simple manner (like Pure Data, Processing, Eyesweb, Max/MSP, Flash, etc.). The main target users of this project are digital artists that wish to add mobile interaction to their pieces."

AUDO 2008

|| AUDO 2008 - Alternative Artistic Practices in Sound ||:

"Alternative Artistic Practices in Sound
MAY 16-18 2008

AUDO is an unconventional public event that invites practitioners and theoreticians from a broad range of sound-related disciplines to discuss new strategies for the creation, production, distribution and cultural analysis of sound and music-based work."

Minus-Eins

KHM - Minus-Eins:

"26 - 29 Januar 2008
Eröffnungsausstellung des Experimentallabors an der KHM

Anlässlich der Gründung von 'MinusEins' findet vom 25. bis 29. Januar 2008 eine Ausstellung in den Räumen des bisherigen Holographielabors der KHM am Peter-Welter-Platz 2 statt. Unter Moderation von Georg Elben, dem Leiter der Videonale Bonn, werden StudentInnen der Medienkunst ihre Arbeiten präsentieren."

The Groove Tube

The Groove Tube:

"The Groove Tube is a 1974 movie that is a parody of television featuring commercials, news, kids shows (featuring the great Richard Belzer as a Bozo style clown reading 19th century erotica during 'make-believe time' when all the big people have to leave the room) and other television staples."

Here are a couple of clips from it from Author Unknown


The Groove Tube su wikipedia

Fame Game

Fame Game

"Connect with influential people, parties, and projects in New York City.
To get started, enter a search term or check out some of the featured content.
If you find yourself in the system, you can claim your profile to join the game."

Candice Breitz

CANDICE BREITZ
Post Script
Exposition du 10 février au 18 mai 2008

Candice Breitz est née en 1972 à Johannesburg
Elle vit et travaille à Berlin. www.candicebreitz.net

Après avoir participé à de nombreuses expositions internationales, Candice Breitz est invitée à la Biennale de Venise en 2005 et se voit remettre en 2007 le prestigieux Prix international d’art contemporain décerné par la Fondation Prince Pierre de Monaco.
Déjà en 2005 et 2006, lors des expositions Theorema, une collection privée en Italie, puis Figures de l’acteur, le Paradoxe du comédien, qui revenait au travers de plus de 700 œuvres sur 4 siècles de représentation de l’acteur, la Collection Lambert a eu l’occasion de présenter le travail de Candice Breitz et de nouer avec elle une relation privilégiée.



“Working Class Hero (A Portrait of John Lennon)”, 2006 enregistré à Culture Lab,
Newcastle University, Royaume Uni, aout 2006, installation de 25 écrans commandés chacun par
un disque dur, 39’ 55’’ vue de l’exposition à la Bawag Foundation, Vienne,
Courtesy Jay Jopling / White Cube, Londres, Photographie Alex Fahl

En 2008, c’est une véritable exposition monographique que le musée consacre à cette artiste majeure. Mother + Father, 2005, mais aussi Becoming, 2003, King (A Portrait of Michael Jackson ), 2005, Working Class Hero (A Portrait of John Lennon ), 2006, Queen (A Portrait of Madonna ), 2005, ou encore les gigantesques photos de la toute récente série Monument, 2007, viendront ainsi peupler les salles du splendide hôtel particulier du XVIIIe siècle.

collectionlambert.com

- other exhibitions -
The Cinema Effect: Part II Realisms Hirshhorn Museum, Washington
Candice Breitz Louisiana Museum of Modern Art, Humlebaek
Existencias MUSAC Leon
Il Futuro del Futurismo Galleria d´Arte Moderna, Bergamo

- on other blogs -
laelbahara.blogspot.com
marcusdruen.blogspot.com



more on this blog


the incomplete

We live in an incomplete world.
Therefore it is imperative to examine the new art which deals with our lack of closure. The Chelsea Art Museum is proud to present at this time a ground-breaking exhibition which is so pertinent to our lives. It will change the way we look at and understand the creative production of our times.

The exhibition includes the following artists: Haluke Akakçe, John Armleder, Kristin Baker, Vanessa Beecroft, Michael Bevilacqua, Ashley Bickerton, James Busby, Sydney Chastain-Chapman, Nigel Cooke, Devon Costello, Justin Craun, Benjamin Edwards, Jeff Elrod, Manuel Esnoz, Wendell Gladstone, Ridley Howard, Chris Johanson, Karen Kilimnik, Jeff Koons, Matthew McCaslin, JP Munro, Eric Parker, Charlie Roberts, Matthew Ronay, Justin Samson, Tom Sanford, Christian Schumann, John Simon, Haim Steinbach, Aya Uekawa, Meyer Vaisman, Xavier Veilhan and Kelli Williams.

chelsea art museum

UneeTee


UneeTee

SAUMA - DESIGN AS CULTURAL INTERFACE

SAUMA

S A UM A [DESIGN AS CULTURAL INTERFACE] exhibition
SAUMA [Design as Cultural Interface] presents innovative contemporary design from Finland. The works in the exhibition explore new approaches to usability, user experience and the design process itself. The exhibition was originally curated for the American audiences and was first presented in Washington, DC as part of the Finnish Year of Design in 2005. After touring in the United States for three years, SAUMA will now be shown in Helsinki at the Design Museum from January 17th to March 2nd, 2008.