"Patricia Piccinini: Evolution
12 March 2009 - 14 June 2009
Acclaimed international artist, Patricia Piccinini takes us on an incredible evolutionary journey to encounter the possible flora and fauna of our future world.
Patricia Piccinini has received worldwide attention for her startling sculptures, digital environments and images that compel us to consider an ecology and biology that blend species in the frontier world of experimental technological and biological environments. Piccinini’s works take us to a post-Darwinian destination populated with fantastical creatures, new communities and bio-ethical conundrums.
This is the first major survey of Patricia Piccinini’s works exhibited in Tasmania."
Tasmanian Museum and Art Gallery - Patricia Piccinini: Evolution
"Patricia Piccinini: Evolution
The mother of all video chats: LA-NY, 1980, a Hole in Space: "In 1980, artists Kit Galloway and Sherrie Rabinowitz created a 'Hole in Space' by linking bigger-than-life displays in New York and LA with a satellite feed. It was the mother of all video chats -- they showed that size and bandwidth matter in communicating presence and emotion."
Tonico Lemos Auad
MOUTH, EARS, EYES just like us
13 March – 18 April 2009
Private view Thursday 12 March 2009, 6-8pm
Stephen Friedman Gallery is pleased to present new work by London-based Brazilian artist Tonico Lemos Auad, his first major presentation in the UK.
Auad’s work is concerned with materiality, sensuality, process and the relationship between the audience and their environment. Using a wide range of materials, from the ephemeral and everyday to the precious and enduring, he disregards material value to create lyrical, often transient forms.
In this exhibition Auad creates an installation of distinct sculptural works and specific interventions in the gallery space. Like an alchemist, he harnesses the potency of materials loaded with symbolism and cultural associations. Here Auad creates complex and intricate propositions that occupy the threshold between the sensory and extra-sensory. Delicate chains, broken and repaired with gossamer thread, hang like ethereal parabola in the air; the spectral tendrils of decaying grape stalks ‘grow’ like new shoots towards the sun, forming the wizened shape of an urn – a well-known symbol of immortality.
Pagan ideas of animals and plants acting as vessels for the human soul are explored alongside an engagement with the psychology of belief. In the back of the gallery an entire wall is covered with ‘scratch-off’ silver ink, like the surface of a lottery scratch card. Playfully evoking the human desire to trust in destiny and fortune, the audience is invited to scrape off the silver from the wall. But instead of winning numbers, collaged images of offerings made by Brazilians every new year to the Afro-Brazilian Candomblé goddess of the sea are unearthed, revealing a communal act of faith.
Notions of luck, chance and the supernatural pervade Auad’s work. But beyond playfulness his work resonates with the darker underbelly of existence. For Auad an awareness of death and the brevity of life are always near at hand.
Auad was born in Brazil and lives and works in London. Recent solo exhibitions include: Silent Singing, CRG Gallery, NY (2008); Aspen Art Museum, Aspen, Colorado (2007). Group exhibitions include Blooming: Brazil-Japan Where you are, Toyota Municipal Art Museum, Japan (2008); This is Not a Void curated by Jens Hoffman at Galeria Luisa Strina, São Paulo (2008); The British Art Show 06, Hayward Gallery touring exhibition, UK (2006); Art Circus (Jumping from the Ordinary), International Triennial of Contemporary Art, Yokohama, Japan (2005); Adaptive Behavior, New Museum, New York (2004) and Becks Futures, ICA, London (2004).
Forthcoming exhibition: Thomas Nozkowski 24 April – 23 May 2009
Stephen Friedman Gallery