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Thinglink

Thinglink is a conversational product catalog and platform that enables users to post thoughts, ideas, questions and pictures related to products on the web.

It goes a step further than conventional product catalogs by allowing users to improve information about products and designers, and upload photos of design objects in real life settings.

Thinglink

NEVER ENDING STARS

NEVER ENDING STARS

di JO FABBRI

con la partecipazione di Camilla Zanon Curci

Inaugurazione giovedì 18 giugno, dalle 19 alle 21.

A circa un anno di distanza Jo Fabbri torna ad esporre i suoi lavori alla LittleItalyArtgallery, la galleria che per prima ha creduto nella forza della sua pittura e che dopo il successo della passata personale le ha rinnovato l’occasione.

Se nella scorsa edizione erano le stelle del cinema a brillare nelle stilizzate sagome pop della giovane artista, questa volta sono state scelte icone recenti e passate della musica jazz, r&b, soul e brit-pop, ad animare la nuova galleria di stars dipinte su tele.

“Ho scelto questi cantanti perché sono quelli che io non mi stancherò mai di ascoltare, quelli che se girando le stazioni della radio passa una loro canzone mi fermo a sentirla, anche se in quel momento ero alla ricerca di tutt’altro, quelli che se non so cosa ascoltare vanno sempre bene”, ha dichiarato Jo.

A ciò si affianca una nuova serie di ritratti: non volti, ma oggetti diventati status/symbol della modernità, capaci anch’essi di suscitare forti emozioni.

Il lavoro dell’artista è maturato, e ha trovato una direzione piu’ personale. Ha perso la marcata impronta warholiana, rinunciando al nero-stampa e al contorno netto; sperimentando il non finito e abbondando nel colore, sempre tenue e delicato.

Su tutto prevalgono i grigi chiari e le tinte neutre.

www.littleitalyartgallery.com

IN TRANSIT 09

Resistance of the Object | Widerstand des Objekts

Körper, die Widerstand leisten. Bilder, die gängigen
Sichtweisen widersprechen. Dinge, die ein Eigenleben
entwickeln. „Widerstand des Objekts” ist das Thema von IN TRANSIT 09. Internationale Künstler erkunden in
Performances und Installationen, bei Tanz- und
Theaterproduktionen, was passiert, wenn das Objekt zum
Subjekt wird.

Haus der Kulturen der Welt

Wunderland

Wunderland is an entrance to a world where conceptions open and multiple possibilities arise; where understanding is sensually kaleidoscopic. A place without known definitions.

Wunderland creates experiences, performances and workshops. The performances are usually held in specific places and are interactive. They can be held indoors, in city streets, on the water, in tents, public spaces or in nature.
Some performances take the form of Performative Travels; an experience where the audience moves, one by one, or in very small groups, along a predetermined route.

Interactive Theatre - Wunderland

Web Studies 2010

The 1st international congress on Web Studies aims at providing a venue for researchers and professionals from different backgrounds for discussion, study, practical demonstrations, sharing, and exchange on new developments and theories regarding the World Wide Web. The congress therefore invites contributions from a heterogeneous set of fields and domains such as: Web systems, computational intelligence, human-computer interaction, digital theory, Web sociology, and well as interactive and digital arts. We also encourage contributions from businesses and organizations.

Web Studies 2010 // First International Congress. March 3 - 5, 2010. Monterrey Tech at Toluca, Mexico

Ease and Eagerness

Ease and Eagerness
Modernism Today

Duncan Campbell · Marcel van Eeden · Friederike Feldmann · Sabine Hornig · Julian Rosefeldt · Tatiana Trouvé · Sascha Weidner

With this exhibition of selected contemporary art positions, the Kunstmuseum Wolfsburg explores how art can remain viable and relevant in the future – an issue of existential importance for a museum like ours with a contemporary art collection. Where do we go from here? As a museum that collects not just for the present day but also and above all for the future, how can we develop in the 21st century?

Sabine Hornig, School, 2004, Mehrteilige Installation

In their recent work, Duncan Campbell, Marcel van Eeden, Friederike Feldmann, Sabine Hornig, Julian Rosefeldt, Tatiana Trouvé and Sascha Weidner (all born between 1962 and 1976) have repeatedly proven their ability to cut through the confusing maze of current approaches by examining and developing the historicity of the traditional artistic disciplines of painting, sculpture, drawing, photography and video. Emancipating themselves from conventional art-historical genres, each of these artists seeks to delimit an open territory in which to locate their individual inventions. They use their art to question reality – often presenting it as a construction or fiction – and to set traps for perception, employing literary, sociological and theatrical narratives in addition to conceptual ones. They adapt the pathos formulae of modernism by reconstructing and deconstructing its gestures: time, architecture and space, imagelessness and placelessness, history and fiction, recollection and falsification.

Kunstmuseum-Wolfsburg

Anzengruber Biennale

"Seen in 2007 it was clear: the Anzengruber Biennial will be a one-off event. Although nothing untoward has happened since then: the Anzengruber is still the Anzengruber — while the same cannot be maintained of Venice, nor of Sao Paolo. And the initiative for the periodic pimping of the in-house video beamer is still based on a local interest in great names like Franck Ribery or Christiano Ronaldo, Charles Puyol or Lionel Messi. When they take a break, though, there may as well be screenings of art, defences of aesthetics or rebuffs of criticism. These are, after all, also team sports with various clubs involved, big money spearheads, regional league tables, international championships, magnificent stadiums and astonishing commentators on the players. In any case, the Anzengruber is world champion at being biennial-resistant. So a second one is totally worth risking. And when it's over the old hanging will return." (mm)


Artists: Dave Allen, Justin Beal, Michael Blum, Eva Bodnar, Monica Bonvicini, Catrin Bolt, Linda Bilda, Joëlle de La Casinière, Levan Chogoshvili, Hermann Czech, Katrina Daschner, Dexter Sinister, Christian Egger, Tom Ellis, Judith Fegerl, Bernhard Frühwirth, Cyprien Gaillard, gelitin, Michael Gumhold, Michael Höpfner, Nicolas Jasmin, Luisa Kasalicky, Ella Klaschka/Olivier Foulon, Christian Kobald, Michael Kienzer, Tillman Kaiser, Michael Klaar, Joseph Kyselak, Lazar Lyutakov, Tobias Madison, Stephen Mathewson, Christoph Meier, Werner Mentl, Anna Meyer, Ute Müller, Dave Muller, Flora Neuwirth, Nick Oberthaler, Walter Obholzer, Gela Patashuri, Dan Perjovschi, Lola Randl + Rainer Egger, Daniel Richter, Emanuel Rossetti, Marusa Sagadin, Stefan Sandner, Julia Schulz, Stefanie Seibold, Dan Solbach, Lucie Stahl, Kamen Stojanov, Rita Vitorelli, Flora Watzal, Gerlinde Wurth, Alexis Zavialoff (Stand/as of 10.06.09)

Anzengruber Biennale

UNDERWATER SOUND ART GALLERY

WET SOUNDS ~ UNDERWATER SOUND ART GALLERY ~

Touring swimming pools nationwide, Wet Sounds begins its 16 date UK tour with an Opening Event at The London Fields Lido on the 4th July. The audience will float and dive in the swimming pool immersed in sound art played from underwater speakers.
The theme for the 2009 gallery curated by Joel Cahen is Audio Cinema - narratives in sound.

Starting at 1pm. The 75min sound art gallery session will be followed by an Aquadelica DJ set by Spax playing a collage of music and narrative sound compositions.

The event is open to all ages and is priced at regular pool admission. Bring your goggles!!

The Closing Event on the 22nd July at Clissold Pool will feature live performances from some of the most prominent sound artists these days. They will play a live performance through an overwater sound system as well as an underwater one, effectively creating three distinct sound spaces each of which may be differently experienced by members of the audience, as they move above and below the surface of the pool.

Francisco Lopez & Stefano Tedesco www.franciscolopez.net/ www.stefanotedesco.net/
Leafcutter John & Tom Haines http://leafcutterjohn.com/ http://www.brainsandhunch.com
Sonic Fiction - is proposed as a novel and new form of creative auditory expression. while drawing inspiration from electro-acoustic music, horspiel and experimental radiophonics, text-sound composition and cinema, the work succeeds in defining its own territory as a exploratory extension of these pre-existing creative practices. Featuring: Amir Shoat, J Milo Taylor, Anna Niel, Clare Gasson

www.wetsounds.co.uk
www.newtoy.org

ReMap 2

ReMap 2 is an international platform for contemporary art taking place parallel to the 2nd Athens Biennale.
ReMap 2 takes place in the culturally diverse and dynamic Kerameikos and Metaxourgeio (KM) district of downtown Athens.

ReMap 2 considers and responds to the unique urban energy, cultural particularities and dynamic artistry of the neighborhood by offering a rich web of cultural events and art happenings that aim to introduce KM as an international hub for contemporary art.

Duration
June 16th to October 4th 2009

ReMap

Cinelatino

Dal 17 al 20 giugno, a Bergamo, in Auditorium di Piazza Libertà e a Esterno Notte, si svolgerà la seconda rassegna dedicata al cinema latinoamericano. L’iniziativa è promossa da TenarisDalmine, organizzata da GAMeC, Fondazione Dalmine, Fundación Proa, Bergamo Film Meeting, e curata da Sara Mazzocchi (GAMeC) e Angelo Signorelli (Bergamo Film Meeting).

Tenaris - Italy

Clay Shirky

As an introduction to our Upgrade New York year theme we are excited to announce this month’s speaker, Clay Shirky. Clay will discuss the concepts of fork and failure in the open source process and will open them to discussion in the context of activism and the creative process.

Clay Shirky is a writer, educator, and consultant on the social and economic effects of Internet technologies. He is an adjunct professor at New York University (NYU) in their graduate Interactive Telecommunications Program, where he teaches courses on the interrelationships of social and technological networks, particularly how they shape culture and vice-versa. He consults to a variety of organizations on network technologies, and is an acknowledged expert on collaboration tools, social networks, peer-to-peer sharing, collaborative filtering, and Open Source development. Clay has spoken and written extensively on the Internet since 1996, with regular columns in Business 2.0, FEED, OpenP2P.com and his own shirky.com blogsite. He has appeared in The New York Times, Time, The Wall Street Journal, the Harvard Business Review, and others. In his new book, “Here Comes Everybody”, Clay explores how organizations and industries are being upended by open networks, collaboration, and user appropriation of content production and dissemination.

Upgrade! New York

Livestream - Not An Alternative